“Whispering Pages” is Mr. Sokurov’s haunting black-and-white meditation on themes from 19th-century Russian literature, most conspicuously “Crime and Punishment.” There is a murderer, the Raskolnikov character, who lives in a hovel and wanders the banks of a river. There is a woman, the holy prostitute figure. She becomes the focus of he murderer’s philosophical questions about life, guilt and God, phrased in the film’s sparse dialogue. Mostly there is extraordinary photography, a palette of dusty gray tones that echo the faded look of 19th-century photographs.
As in his features (like “The Second Circle,” and “Save and Protect,” a version of "Madame Bovary), Mr. Sokurov’s camera moves languorously, as if it were caressing each building, statue and person in its path. Some characters meet in a noisy, cavernlike dining room; others leap off a bridge into the river. For 77 minutes, “Whispering Pages” creates a meeting place where Dostoyevsky, the viewer’s awareness of his themes, and Mr. Sokurov’s interpretation can mingle. —New York Times
Alexander Nikolayevich Sokurov (Russian: Алекса́ндр Никола́евич Соку́ров) (b. June 14, 1951, Podorwikha, Irkutsk Oblast) is a Russian filmmaker from St Petersburg who has been hailed as successor to renowned director Andrei Tarkovsky.
Sokurov was born in Siberia in the officer’s family on June 14, 1951. He graduated from the History Department of the Nizhny Novgorod University in 1974 and entered one of the VGIK studios the following year. There he made friends with Tarkovsky and was deeply influenced by his Mirror.
Most of Sokurov’s early features were banned by Soviet authorities. During his early period, he produced numerous documentaries, including an interview with Aleksandr Solzhenitsyn and a reportage about Grigori Kozintsev’s flat in St Petersburg.
Mother and Son (1996) was his first internationally acclaimed feature film. It was mirrored by Father and Son (2003) which baffled the critics with its implicit homoeroticism (though Sokurov himself has criticized… read more