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White on Rice

Japan, United States

2008

85 Min
Color
English
  • Currently 2.9/5 Stars.
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DIR Dave Boyle

PROD Michael Lerman

SCR Dave Boyle, Joel Clark

DP Bill Otto

CAST Hiroshi Watanabe, Mio Takada, Bruce Campbell

ED Dave Boyle, Duane Andersen

MUSIC Mark Schulz

Synopsis

Jimmy loves dinosaurs and sleeps on the top bunk. Unfortunately, Jimmy is 40 and shares that bunk with Bob, his 10-year-old nephew. Freshly divorced, Jimmy lives with his sister Aiko and her family while boldly searching for a new wife. His brother in-law, Tak, thinks he’s a disaster. And although Jimmy may lack social grace, he is convinced the best years of his life are just beginning. His plan seems like it’s all falling into place when Tak’s beautiful niece Ramona moves in. But once Jimmy sets his sights on stealing her from his best friend Tim, he sees his intentions go hilariously awry. Even after causing disaster after disaster, Jimmy remains a lovable goof you can’t help but root for. —33ª Mostra Internacional de Cinema

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Mugino

27Dec12

Choosing an idiot man-child as the lead is certainly as baffling as it is irritating. But the one saving grace is that this isn't another tedious, angst-ridden cliche about "the Asian American identity". The characters simply happen to be Asian, which is completely secondary to the family dynamics. How nice that they can just BE and not culturally dissected.

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filmbeats

16Jan11

If you like the stupid man child archetype then you'll like this film. I personally hate those types of characters. There are some good laughs but the main character and ending were too stupid for me to enjoy.

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Byron Brubaker

27Dec10

A kind of 40 year old virgin with a mostly Japanese cast. All the best bits were in the trailer. The hour and a half run time adds nothing but awkwardness. This is an example of a quirky independent flick going too far over the edge.

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W184

"Green Zone," "Mother," "Children of Invention," More

By David Hudson on March 12, 2010

"Give director Paul Greengrass a completely fictional scenario into which he can weave multiple levels of tension and anxiety — for example

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