Whores’ Glory is a cinematic triptych on prostitution: three countries, three languages, three religions. In Thailand, women wait for clients behind glass panes, staring at reflections of themselves. In Bangladesh, men go to a ghetto of love to satisfy their unfulfilled desires on indentured girls. And in Mexico, women pray to a female death to avoid facing their own reality. In worlds where the most intimate act has become a commodity, these women have physically and emotionally experienced everything that can happen between a man and a woman. For this they have always received money, but it has not made their lives rich in anything but stories. –The Match Factory
Born in Graz, Austria, in 1959, Michael Glawogger is a traveling filmmaker. Not only does he literally journey around the world for his documentaries, he also moves back and forth between forms and genres, between photography and writing, between gentler and more forceful tones. He graduated from the San Francisco Art Institute and the Vienna Film Academy and has since worked as a director, writer, and cinematographer in Vienna, Bangkok, and Znojmo. He plans to shoot in Poland and Bangladesh in the near future. —glawogger.com
Michael Glawogger's eye opening documentary about global prostitution never takes a stand on whether or not the things he is observing is right or wrong, choosing instead to present it for the audience's consideration. Powerfully observant, WHORE'S GLORY is both shocking and intimate, a piercing exploration of the women who sell themselves and the men who love them. Vibrantly alive and strangely moving.
The cinematography, combination of images and music, the sensitivity, telling the truth as it is, trying to see the beauty in everything, those intimate stories, some happy, some sad, those realized dreams and those broken dreams. One of the best documentaries in the last years, Thank you Michael Glawogger, it was what i was looking for.
Rather than resorting to victimhood or offering condescending palliatives, 'Whores' Glory' instead imprints a vivid sense of human connection that overrides our responses based in conventional morality. While Glawogger has a self-important and somewhat rockstarish approach as a filmmaker, he is still, in my opinion, absolutely vital, his profound commitment to the subjects resonating from the film's soulful core.
Also: Revisiting Claire Denis’s Beau Travail, Robert M Young’s Alambrista! and more.
A talk with the director behind the prize-winning docmentary at Venice, Whores’ Glory.
A Letter to Momo in Japan, Hou Hsiao-hsien on Taiwanese cinema, Nicolas Rapold on Michael Glawogger, Ben Rivers’s playlist and more.
“We sort of do the lineup by the seat of our pants.”
Silver Lion for Cai Shangjun (People Mountain People Sea). Acting awards for Michael Fassbender and Deanie Ip.
A doc on “the relationships between men and women in contemporary society that yields telling and ambivalent insights.”