Spending her holidays on the Swiss/Italian border, Margareta (Lina Romay) meets charming Sandra Mauro (Monica Swinn) and her husband. She agrees to stay in their house for the rest of her vacation, unaware that they are going to use her for smuggling diamonds over the border.
There they get a little “deeper” into knowing each other, but one night she awakens to strange noises and finds the couple brutally murdered in their living room. Margareta, deeply traumatized and unable to speak, is taken to Dr. Antonio’s asylum. Antonio tries his very best to get her to speak and to reveal the events of the dreadful night. His attempts are not unselfish, since every member of the medical staff has already tried to be the first to find out where the missing diamonds are hidden.
One night a mysterious black robbed person kills one of the nurses. Is this just a random attack or has somebody tried to get rid of a possible competitor. Only Margareta, who saw the killer, is able to uncover the mystery…
He was only 6 years old when he started composing music under the protection of his brother Enrique. After the Spanish Civil War, he was able to continue his studies at the Real Conservatorio de Madrid, where he finished piano and harmony. Being a Bachelor of Law and a easy-read novel writer (under the pseudonym David Khume), he signed on to enter the Instituto de Investigaciones y Experiencias Cinematográicas (IIEC), where he was only for two years, while he worked simultaneously as a director and theatre actor. Later, he went to Paris to study directing techniques at the I.D.H.E.C. (University of Sorbonne), where he used to go into seclusion during hours to watch films at the film archive. Back to Spain, he started his huge cinematographic work as a composer, with Cómicos (1954) and El hombre que viajaba despacito (1957), and later worked as an assistant director to Juan Antonio Bardem, León Klimovsky, Luis Saslavsky, Julio Bracho, Fernando Soler and Joaquín Luis Romero Marchent… read more