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Wild Reeds

Les roseaux sauvages

France

1994

110 Min
Color
1.66:1
French
  • Currently 4.0/5 Stars.
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DIR André Téchiné

PROD Georges Benayoun, Alain Sarde

SCR Olivier Massart, Gilles Taurand, André Téchiné

DP Jeanne Lapoirie

CAST Élodie Bouchez, Gaël Morel, Stéphane Rideau, Frédéric Gorny, Michèle Moretti, Jacques Nolot, Eric Kreikenmayer, Nathalie Vignes, Michel Ruhl

ED Martine Giordano

PROD DES Pierre Soula

SOUND François Groult, Pierre Lorrain, Jean-Luc Marino, Jean-Paul Mugel, Bruno Tarrière

Cannes (Un Certain Regard), New York (Avant-Garde Visions), Rotterdam (Tous les garçons et les filles), Karlovy Vary (Visions of Seven), San Francisco

Synopsis

Against the background of a hot French summer and the even more distant backdrop of the war in Algeria, a young French boy’s gay nature blossoms.

At school François is approaching the start of a long hot summer and reaching the end of his school career. He is a retiring boy who dislikes youth in general and his contemporaries in particular. He would rather settle down with a book. His only contact with the outside world is the young Maïté, who enjoys her still innocent life to the full, unlike François. The two are like brother and sister, ‘wild roses’, and are characterized by the innocence that marks many others in Téchiné’s films – the film had almost could have been called ‘Les Innocents’. François shares his room with the sturdy Serge, who is proud of his peasant origins. François is fascinated by him, but cannot place his fascination. One day Henri comes to school and his arrival disrupts the everyday peace. Henri brings with him the ‘scandal’, awakens passions and causes lots of disorder. He is a son of a French family that has emigrated from Africa and since the independence of Algeria, he regards the French as a bunch of cowards, especially the communists. Henri believes that Algerian independence is treachery and everyone who defends that process is easy prey for him. Where others only hear a vague rumour, he alone feels the internal conflict in history. As the film progresses, tension rises between François, Serge and Henri. –IFFR

Director

Original

André Téchiné

A critic with the Cahiers du Cinéma in the 60s, he made his directing debut with Paulina s’en va, his first feature, shown at the Fortnight in 1969. He returned to the Fortnight in 1975 with Souvenirs d’en France. Reputed for his work with actors, he has directed the likes of Isabelle Adjani, Catherine Deneuve, Jeanne Moreau, Juliette Binoche, Isabelle Huppert, Gérard Depardieu, Michel Blanc, Daniel Auteuil… He won several awards at Venice and Cannes and received three Césars in 1995 for Les roseaux sauvages. –Quinzaine des Réalisateurs 

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killingtime

20May13

We're young thus we're confused! That's okay, life goes on though so little we can understand :P

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Guido Fierlbeck

9Jan13

Chef d'oeuvre

Guido Fierlbeck likes this

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ramosbarajas

10Mar12

It is indeed very sweet. The story is pretty straightforward, but we soon care for the main characters. At first I felt the ending was too inconclusive, but after thinking about it it makes sense. These kids are lost in many ways, and there IS NO conclusion. Life moves forward. I suppose it works better than a traditional happy ending, whose impact would nothing but ephemeral. That said, the editing could be cleaner.

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Adam J.

4Mar12

Les Roseaux sauvages snuck up on me. This is a beautifully-shot portrait of young people at the dawn of their sexuality while their world is complicated by politics. Bouchez and Morel play two of the most likable and innocent characters I've seen in a while. The final scenes are simply a dream. ★★★★

killingtime and ramosbarajas like this

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Untitled

By Lefteri​s Becerra on September 8, 2009

en 1997 vi dos veces esta película en la cineteca nacional. de inmediato me converti en seguidor de téchiné. después le organizaron una retrospectiva en la universidad y entonces pude apreciar la calidad…  read review

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