N. C.
13Nov11
an*
"God, why have you forsaken me?" There's a reason he never gets an answer. Bergman's masterpiece.
I've seen Bergman up to his later 70s stuff, but I'd wager this, Persona, and Seventh Seal are his trinity. Can't really go wrong with Bergman.
Bergman and his strugle with spirituality. Some nice shots, and interesting dialogs, also very solid performances... Anyway, another one of Bergman's must-see films.
Simple and Stark. The dialogue is one of the many reasons to watch this. To see Björnstrand and Thulin go at it is an amazing sight to behold, especially when they are playing characters who just cannot love each other because they are flawed at a very basic level.
This film was absolutely incredible. Every scene is so well crafted both in script and shots that I was astounded. It was one of the films that I had been looking forward to the most by Ingemar Bergman and it is I believe his most perfect film. The scene of the Letter being read is breathtaking as the acting of Bergman's troop is pushed to it's extreme. Potent full of the weight of black and white & faith and doubt.
Watching this film with the two other films of the trilogy over three days have left me with a bad case of Angst overload. Perhaps I should have taken the time to cleanse my spirit between each film and to contemplate each before moving on to the next. There's some powerful scenes here, but it's my least favorite of the trilogy which connections Bergman later in life recanted. As the auteur, he should know.
I can safely call Winter Light my favorite film by Bergman thus far. It's simple, but incredibly powerful, nicely contained by the walls of the church. The main character is trying to appeal to a changing, bored congregation, and wants so desperately to prove that there is something more to life than there seems. Every scene is powerful, but stay for the long take where a former flame delivers a tragic monologue.
Admired the mood of the film, melancholic, yet hopeful. For me, the school boy in the empty classroom on a sunday really signified this dichotomic mood.
Winter Light was way beyond Through a Glass Darkly. The characters just felt more human, accessible, and complex. Also the film felt far more cinematic, and Bergman's collaboration with Nykvst was beginning to find it's foothold and voice. The suicide scene is perfect as are all the performances. It isn't perfect, but it's close to it. The Silence looms on ahead.
A fable of stubborn human infatuation with its own suffering, of our absolute lack of hesitation in comparing our trials with a martyred Christ's.
Through fantastic close-ups, incredible cinematography and great dialogues, Ingmar Bergman created a deep look into human psyche, soul and his doubts.
Good Bergman. I generally don’t connect with Bergman’s concerns, and that was the case here too, but the film was still quite interesting.
I can't give it anything less than four stars because it is an excellent film, but i hate going to church and there was a substantial amount of time spent on mass (literally), but other than that... no more to say
Needless to say, this is a true masterpiece. Perhaps the most exciting films I have ever seen.
Stunning photography, a few actors, solid blocking, a razor-sharp script, and a memorable ending ...yes, this could be called the "perfect" movie. This film turned me on to Bergman.
A wonderful yet simple movie about the struggle over faith: faith in God, faith in our fellow man.
This movie contains so many images that haunt me to this day for inexplicable reasons. The rushing river at the scene of the suicide. The backs of the two heads as the train goes by. And of course Ingrid Thulin's face. Just a beautiful, beautiful work.