Deep in the Ozark Mountains, clans live by an almost medieval code of conduct that no one dares defy—until an intrepid teenage girl has no other choice. When Rhee Jessup’s crystal-meth-making father skips bail and goes missing, her family home is on the line. Unless she finds him, she and her young siblings and disabled mother face destitution. In a heroic quest, Rhee traverses the county to confront her kin, break their silent collusion, and bring her father home.
With thrilling tension, Winter’s Bone depicts an archetypal rite of passage. Only this time, the young warrior is a girl. As our heroine braves a nearly impossible task, she redefines the notion of fealty and, in the process, redefines herself, too. The spare precision of Debra Granik’s direction is effortlessly profound. Stunningly genuine performances and exquisite visual details capture the textures and rhythms of a world where the mythic and the naturalistic intermingle. —Sundance Film Festival
Debra Granik (born the 6th of February, 1963) is an American independent filmmaker. She has won a series of awards at the Sundance Film Festival, including Best Short in 1998 for Snake Feed (her first film, made while a student at New York University), the Dramatic Directing Award in 2004 for her first feature-length film, Down to the Bone (a tale of addiction she co-scripted with Richard Lieske), and the Grand Jury Prize for Drama in 2010 and Prix du jury at Deauville American Film Festival 2010 for her second feature, Winter’s Bone.
Born in Cambridge, Massachusetts, Granik grew up in the suburbs of Washington D.C. She received her B.A. from Brandeis University in 1985, where she majored in politics. She later earned an MFA from the graduate film program at New York University (Tisch School of the Arts). Granik is the granddaughter of broadcast pioneer Theodore Granik (1907–1970), founder-moderator of radio-TV’s long-run panel discussion program, The American Forum of the Air… read more
I can't remember the last time that a film managed to depress me with scenery alone. Top notch cast, direction and cinematography. I'm not surprised that it was nominated for Best Picture.
Unsentimental look at an isolated community,with its own rules,making us feel like intruders.There could have been more elements to the script,showing more about the father.Well acted.
Astonishingly good film. A mystery/odyssey which looks uncompromisingly yet respectfully at a subculture filled with despair and danger where even the closest relationships involve caution and suspicion with great care taken to never give up an advantage or reveal anything which could ever possibly be used against you. One of the most genuinely human films I have seen.
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Having won Best Feature and Best Ensemble Performance at the Gotham Awards last night, Debra Granik's Winter's Bone now scores seven nominations
"Winter's Bone, warmly embraced at this year's Sundance Film Festival, belongs, at least at first glance, to one of that festival's familiar
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So the awards were presented at Sundance last night, and as Eugene Hernandez writes in his full report at indieWIRE, "Debra Granik's Winter
I am not sure what is says about our world that the most realistic films are always incredibly bleak and grim. Winter’s Bone is not exception, filmed on location, in real homes and partially even with… read review
Is this the film of Sundance 2010? Winter’s Bone certainly thinks so, though it’s not screaming it from the rafters. This is a far more subtle, poetic thing. A cinematic expression of the season as… read review
Il fait froid dans le Missouri, même quand on a 17 ans. Debra Granik nous plonge dans l’Amérique pauvre et violente du Midwest, entre le néoréalisme des frères Dardenne et la brutalité de Boorman dans… read review
Empujada por sus triunfos en los Spirits Awards del cine independiente americano mejor actor y actriz secundarios y sus cuatro nominaciones al Oscar, incluyendo la de Mejor Película, finalmente… read review