Miyako Mizuki ((Mariko Okada), a wife and mother, becomes romantically involved with Kitano, her interior decorator. At first a simple flirtation, the relationship soon develops into a passionate affair with secret meetings in seedy hotels. Miyako permits Kitano to take nude photographs of her as a keepsake. The negatives, however, fall into the hands of Ginpei Momoi, a teacher who has often observed the lovers in a hotel near his school. Obsessed with Miyako, Ginpei informs her that he has the negatives and arranges to meet her. —TCM
A legendary figure of the postwar Japanese cinema, Yoshishige Yoshida (b. 1933) is one of Japan’s most artistically ambitious, politically astute and influential filmmakers. Yoshida is best known for his work with the spellbinding Mariko Okada (b. 1934), one of the most beloved and celebrated actresses of her generation, and one of the great stars of the Japanese New Wave. Working together with Okada, Yoshida created an incredible body of films unparalleled for their formal sophistication, philosophical depth and sheer beauty. Underappreciated in this country, Yoshida is rightly considered in Japan and Europe, and especially France, among the preeminent masters of the modern Japanese art film.
Yoshida’s first passion, and the focus of his studies at Tokyo University, was French existential philosophy and literature, a training which deeply informs the intellectual rigor of his subsequent film work and later writing on film and art. By chance, or destiny, Yoshida was drawn into… read more
In another's hands this story of a married woman blackmailed over illicit photographs taken by her lover may have resulted in a less than distinguished melodrama. However, Yoshida is not that kind of director and his unique style, cool and enigmatic, produced what became known as anti-melodramas. This film is complex and visually stunning, dominated by the beautiful prescence of Yoshida's wife Okada in the lead role.
beautifully shot & heavily charged with sensuality. many scenes are going to be stuck with me for a long time.