This film is a satire of the women’s liberation movement, staring a trio of female impersonators. Candy is an aloof heiress caught in an unhappy relationship with her brother. Jackie is a virginal intellectual who believes women are oppressed in contemporary American society. And Holly is a nymphomaniac who has come to loathe men, despite her attraction to them. Together, they join a militant feminist group, P.I.G. (Politically Involved Girls), but their newfound liberation doesn’t make them any happier. —IMDb
Paul Morrissey (born February 23, 1938, New York City) is an American film director, best-known for his association with Andy Warhol.
Morrissey attended Ampleforth College and Fordham University, both Roman Catholic schools, and later served in the United States Army. A political conservative and self-described “right-winger”, who has publicly protested against what he perceives as immorality and “anti-Catholicism”, Morrissey’s long-term collaboration with the low-keyed, apparently apolitical Warhol was viewed by many as “a successful mismatch”, although both men did share some traits, i.e. both were practising Catholics from “ethnic” backgrounds (Warhol was of Slovakian descent and Morrissey is of Irish descent).[citation needed]
Morrissey’s bold, avant-garde direction in filmmaking is often attributed to his relationship with Warhol and The Factory, although Morrissey claimed in his memoir, Factory Days, that this is not the case. —Wikipedia