Ton, a young architect from Bangkok, is assigned to oversee the reconstruction of a holiday resort in southern Thailand that had been destroyed by the tsunami. Instead of a staying in one of the big tourist hotels in Takua Pa, he takes lodgings in an inconspicuous small town hotel, where he seems to be the only guest. Ton’s flirtation with Na, the young woman who works at the hotel, develops into a passionate relationship, which doesn’t escape the suspicious eyes of her sinister brother Wit. Even the soft waves of the sea, which are underscored in the film’s first shot by a subtly threatening electronic sound, suggests that there’s more to Wonderful Town than the ordinary conflict between the city and the country. The beauty of the landscape gets in the way of Ton noticing both the social dynamic of the largely depopulated area, and the degree to which the collective psyche is still burdened with the aftermath of the catastrophe. Na embodies both: beauty and injury. Sensitively, delicately, and seductively, Aditya Assarat’s elegant feature film debut stages the guileless appropriation of the afflicted province by the naive big city dweller, and skillfully lures the spectator into the same trap. Although the film irresistibly develops into a veritable thriller, you’re still left in disbelief at the gaping wounds in paradise.
Aditya Assarat (Thai: อาทิตย์ อัสสรัตน์, born 1972) is a Thai independent film director, screenwriter, producer and cinematographer.
Aditya Assarat was born in Bangkok. He left Thailand at the age of 15 to be educated in the United States. He studied history at New York University, and it was during that time that he became interested in filmmaking. He went on to earn a master’s degree in film production from the University of Southern California School of Cinematic Arts in 2000.
His graduate thesis film, the 15-minute short, Motorcycle was about a father grieving over the loss of his son in a motorcycle wreck. It was screened at dozens of film festivals, including the Chicago International Film Festival, where it won a Gold Hugo award, the San Francisco International Film Festival, where it won a Golden Gate Award, Aspen Shortsfest, where it was named best short film, and the Shorts International Film Festival in New York City, where it was also named best short film… read more
it truly captured reality to it's fullest; how nature in it's unpredictable charm can turn to harm even the innocent. such a moving movie. a happy ending never hurt anyone; but this is real life beautifully stated by assarat
Fuck it, I'll give it an extra star because I was moved...regardless of the gangster twist by the end of it. Assarat's a natural, great use of lyrical images and two exceptional leads, let's see what he'll be doing next.