“Meeting: an assembly or gathering of people; the act or process of coming together; the length and circumstances of such an encounter. Note: implies a common social purpose…” (Dictionary) A group of men and women of all ages have been brought together in the course of their travels after World War II, when Italy regained its national and territorial unity. They make up a primitive community which seeks to erase not only the distress created by the war but also the hardships of life and hunger, and to protect them from violence, misery and fear… Amid the ruins of this post-war period, these men and women build and invent new a rapport, both in their professional and daily lives, between themselves, between the sexes, between generations, between diverse social and geographical origins, between antagonistic political camps. The group maintains a “register”, a kind of diary, as if it were entering the minutes of an inquiry or a trial. –Quinzaine des Réalisateurs
Danièle Huillet was born on May 1, 1936 in France. After she had just finished high school in the 1950s, she met Jean-Marie Straube and both their professional and private lives have been closely intertwined ever since.
In 1958 they moved to Germany, and their 1965 production Not Reconciled (Nicht versöhnt, based on a novel by Heinrich Böll) caused a scandal at the Berlinale. This film was followed by adaptations of works by Corneille (Othon, 1969) and Bertolt Brecht (History Lessons or Geschichtsunterricht, 1972) and Arnold Schönberg’s opera Moses und Aron (1974/5), each in the somewhat unpopular manner of austere exercises. A great deal of attention was aroused by the Kafka adaptation Class Relations (Klassenverhältnisse, 1983, based on the unfinished Amerika/Der Verschollene). These films were followed by others dealing with literary greats such as Hölderlin and Sophocles. Since the 1970s Danièle Huillet and Jean… read more
Filmmaker Jean-Marie Straub and Daniele Huillet, his wife and co-director, have become leading figures in New German cinema. Their films are not for passive viewers seeking light entertainment; films such as Not Reconciled or Only Violence Helps Where Violence Rules (1965) are intellectually demanding, and yet are among the most haunting films of German cinema. Prior to teaming up with Huillet, the French born Straub worked as an assistant to French directors such as Abel Gance, Jean Renoir, and Robert Bresson. He met and teamed up with Huillet in 1954. To avoid the draft, he fled to Munich, Germany in 1958 where they got involved with radical theater groups. By the early sixties he and his wife had become a prominent directors. They made their debut with the short Machorka-Muff in 1963. In 1968, their long-time friend Fassbinder appeared in The Bridegroom, the Comedienne and the Pimp. Straub and Huillet’s most famous film is Chronicle of Anna Magdalena Bach (1968). By the late ’60s… read more
LOLA releases new content, Apichatpong’s mini-short “2013”, images from the new Hong Sang-soo, a visit to Hou Hsaio-hsien on set.