In a world where both Mutants and Humans fear each other, Marie D’Ancanto, better known as Rogue, runs away from home and hitches a ride with another mutant, known as Logan, a.k.a. Wolverine. Charles Xavier, who owns a school for young mutants, sends Storm and Cyclops to bring them back before it is too late. Magneto, who believes a war is approaching, has an evil plan in mind, and needs young Rogue to help him. —IMDb
Hailed as one of the film industry’s most exciting and provocative new talents after the huge success of The Usual Suspects (1995), director Bryan Singer has built his reputation on making films that are essentially lengthy, verbally dexterous flirtations with the darker side of human nature.
Born in 1966, Singer was brought up in southern New Jersey. Raised in a Jewish household, his early childhood was, in part, marked by his formation with a couple of non-Jewish friends of a so-called “Nazi Club.” The existence of the club — which, Singer has said, was formed more out of a fascination with WWII than as a slight to his own heritage — was unsurprisingly put to a quick end by the director’s mother. The incident catalyzed Singer’s own awareness of his Jewish identity, something that would later inform his adaptation of Stephen King’s Apt Pupil and cause one interviewer to label him (presumptuously, perhaps) as “young Hollywood’s great Jewish hope.”
Singer’s upbringing… read more
When I watched these films a week or so ago, I've especially noted them for their sociological dimensions, finding them to be particularly relevant to communism and The Cold War Period. It makes it more entertaining to understand the concept that it is not only homosexuality that is mirrored. You could even see the idea that people see these mutations like disabilities despite the fact they don't understand them.