Redemption for director Michael Cimino and burgeoning stardom for actor Mickey Rourke were on the agenda when Year of the Dragon was released in 1985, and even if those things didn’t quite come to pass, the result was nevertheless an entertaining, at times even compelling film. Cimino, seven years removed from his Oscar triumph The Deer Hunter and five years past the debacle that was (and still is) Heaven’s Gate, made a move back into the mainstream with this violent tale about New York’s Chinatown, where gangs and heroin-dealing Chinese “triads” hold sway—at least until police captain Stanley White comes on the scene, fiercely determined to put the bad guys out of business. As portrayed by Rourke, White is arrogant, boorish, and bullheaded, a thoughtless jerk who puts anyone who cares about him in mortal danger, all of which we’re supposed to forgive because he served in Vietnam and is so righteously intent on doing his job. Problem is, White is almost completely unlikable, rendering his relationships with his long-suffering wife (Caroline Kava) and his TV reporter girlfriend (a wooden Ariane) implausible in the extreme. Add to that a script (by Cimino and Oliver Stone) filled with stilted, macho dialogue and a level of facile racism and sexism that would be unacceptable by new millennium standards, and you’ve got a tough sell. Still, Cimino knows how to direct the action sequences, and he’s able to sustain a good level of tension as the story builds toward its inevitable confrontation between White and young crime lord Joey Tai (John Lone, channeling Al Pacino in The Godfather: Part II). And the aftermath? Cimino made only four movies in the ensuing twenty years, none of them exactly blockbusters, while Rourke sank into a self-inflicted oblivion from which he has yet to recover. Not exactly the hoped-for outcome, but neither of them should be ashamed to have Year of the Dragon on his resume. —amazon
Michael Cimino studied architecture and dramatic arts from Yale; later he filmed advertisements and documentaries and also wrote scripts until the actor, producer and director, Clint Eastwood gave him the opportunity to direct the thriller Thunderbolt and Lightfoot (1974). But his biggest success was The Deer Hunter (1978) which won the Oscar for the Best Film. For another successful film he got in trouble: The Sicilian (1987) – critics accused him of portraying as a hero, with his biography, the Italian criminal Salvatore Giuliano. —IMDb
Uneven, but ultimately resonant in a number of ways, with a few truly great scenes.
I agree with Jack Lehtonen. Also great to see some emotional depth in the characters, it makes the action sequences better, because if you get to know them, then you don´t want them to die.
The pacing is constantly off, Ariane couldn't act for cheeseballs, and you can smell oliver stone's little fingers in it from a mile away. Only Rourke and the awesome camera handling make this. would be four stars but that damned Ariane was so damned distracting