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You Are Not I

United States

1981

50 Min
Black and White
English
  • Currently 4.2/5 Stars.
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DIR Sara Driver

PROD Sara Driver, Jim Jarmusch

SCR Sara Driver, Jim Jarmusch

DP Jim Jarmusch, Tom DiCillo

CAST Suzanne Fletcher, Evelyn Smith, Luc Sante

ED Sara Driver

MUSIC Phil Kline

SOUND Stanford Singer

Edinburgh (Perspectives), New York (Masterworks)

Synopsis

A young woman escapes from a mental hospital during the chaos of a nearby multiple-car accident. She is mistaken for a shock victim and is driven to her sister’s house by a rescue volunteer. Then the real story begins. —IMDb

Director

Original

Sara Driver

Sara Driver (born December 15, 1955) is an independent filmmaker born in Westfield, New Jersey. She produced two early films for Jim Jarmusch, helping him to gain international attention and success. She is also known for coining the phrase necro-tourism after the surge in tourism due to the fall of the World Trade Towers in 2001.

Film career

Driver made her directorial debut in 1981 with You Are Not I, a short subject film based on a Paul Bowles story and co-written by Jim Jarmusch. Shot in six days on a $12,000 budget, it developed a following soon after a well-received premiere at the Public Theater, only to be pulled out of circulation when a warehouse fire destroyed the film’s negative. Rarely seen, it was still championed by renowned critics and film journals like Jonathan Rosenbaum and Cahiers du Cinéma, which hailed You Are Not I as one of the best films of the 1980s. Considered ‘lost’ for many years, a print was later discovered among Bowles belongings, and following… read more

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Yuki Aditya

3Apr12

A triple bill with A Woman Under the Influence and Blue Velvet would be nice :)))

le tigre likes this

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W184

"Sleepwalking: The Films of Sara Driver"

By David Hudson on March 23, 2012

The series opens today at Anthology Film Archives in New York and runs through April 1.

read article
W184

NYFF 2011. Sara Driver's "You Are Not I"

By David Hudson on October 6, 2011

This “long-lost No Wave adaptation of a Paul Bowles short story” is an “authentically disorienting experience.”

read article

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