You, the Living is about the human being, about her greatness and her miserableness, her joy and sorrow, her self-confidence and anxiety. A being at whom we want to laugh and also cry for. It is simply a tragic comedy or a comic tragedy about us. —Cannes Film Festival
ROY ANDERSSON (born 1943) started his film career with short films „Visiting Your Son” (1967) and „Getting the Bike” (1968). You will see both of them also in Sleepwalkers. Andersson’s first feature was „A Swedish Love Story” (1970), where the young Andersson gave a deep look into the world of love. This film won in Berlinale four prizes and was very successful amongst the audience. His next film „Gilliap” (1976) was black comedy with a very serious style. After that Andersson quit with films and made only advertisements.
In 1981 Andersson created his own company and explained that he wanted to be free in his creation. After that he made many very special and successful ads, which won all together eight Golden Lions in Cannes.
In 1987 he made a short film about AIDS „Something Happened”. This film was supposed to be shown in Swedish schools, but was denied, as it was too shocking.
In his next film „World of Glory” (1991) Andersson went even futher with his serious… read more
Reviewing Roy Andersson's 'You, the Living' inevitably means comparing it to his previous masterpiece 'Songs from the Second Floor'. To a large extent they are companion pieces, both in the same formalist style of carefully constructed and loosely interconnected tableaux, and both sharing the same absurd, apocalyptic universe. Read my full review: www.brnrd.net/blog/archive/2008/03/30/you-the-living
Conan O'Brien's rousing open letter to the "People of Earth" is all the rage over the wires and in the ether at the moment, but there's another
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There aren't many careers in the history of cinema quite like Roy Andersson's. Fresh out of film school, he had a major success with En kärlekshistoria
"A lot of things are going wrong today. It's just not my day," says the carpet salesman before he starts to weep. The joke, of course, is that
"A lot of things are going wrong today. It's just not my day," says the carpet salesman before he starts to weep. The joke, of course, is that
This absurdist pastiche of mostly static camera single takes and ubiquitous pastel blues and greens is an amalgam of Buñuel and Monty Python … with a bit of Bergman’s The Silence and some Fellini too… read review