In Rio de Janeiro in 1886, eighteen-year-old conductor Arturo Toscanini, in Brazil on an orchestra tour, is torn between an aging soprano attempting a comeback and a mistress his own age. Opera diva Nadina Bulichoff has interrupted her stage career for Dom Pedro II the emperor of Brazil. When Toscanini begins to coach his childhood idol for a return to the stage in “Aida,” Nadina has fallen into deep depression. The conductor is instrumental in her transformation as her performance proves an ultimate triumph and she is back the top of her art. —IMDb
Italian director Franco Zeffirelli started out as an actor in the stage productions of Luchino Visconti, then worked as an assistant on several Visconti-directed films. After World War II, Zeffirelli launched a career designing, costuming, and directing operas, a field of entertainment to which he’d return periodically throughout his life and which led to his first directorial credit, the Swiss-produced filmization La Boheme (1965). Zeffirelli’s reputation in the 1960s rested on his boisterous, non-traditional movie versions of Shakespeare. He directed Richard Burton and Elizabeth Taylor in a lusty adaptation of Taming of the Shrew (1967), then became an icon for the Youth Movement by casting 17-year-old Leonard Whiting and 15-year-old Olivia Hussey in Romeo and Juliet (1968). Zeffirelli’s eye for visual richness served him well in the opulent Brother Sun/Sister Moon (1973), a romanticized account of Francis of Assisi. Some of Zeffirelli’s later American films were unworthy of his talents… read more