After a four-year shoot over three continents, Jonathan Nossiter produced 10 one hour films on the financial and political issues, as well as passions and inspirations that wine provokes. An even more original, probing, and funny project than his famous feature length documentary, “Mondovino”.
In the early afternoon, a mother holding her child stands still in the park of a housing project. The kind of sight that is a symbol of beauty and love. Be as that may be, they have no face. The camera is aimed persistently at the spot from which they have vanished as if to find something.
After a day of auditioning actresses for his play, Thomas finds him self alone in a Parisian theater with little hope of finding someone to take the lead role and he is preparing to leave when Vanda arises. Vanda embodies everything what Thomas hates, but he gives her a chance.