MUBI brings you a great new film every day.  Start your 7-day free trial today!
Welcome to MUBI.
Your online cinema. Anytime, anywhere.
08 Jun10

Los Angeles Won't Make Your Movie!

by Follow My Film

My greatest inspiration does not come from famous directors nor Academy Award speeches.  Rather, I find inspiration in “nobodies” like me who doggedly plug away at their first few films.  And living in Los Angeles, one would think I am surrounded by such people; however, the reality is that I am not.  Instead, I often run into disillusioned and derailed dreamers.  As most people know, countless folks move to LA every day to make movies, but the truth is that only a few actually do.

Day-to-day survival in LA is quite demanding; it’s expensive, crowded and competitive.  But even if you’re rich, there are many distractions to be reckoned with.  New attractions and social events tempt you while endless traffic jams and long waits at stores and offices delay you.  Nonetheless, in my opinion, what cripples aspiring filmmakers most is the presumption they bring with them to LA: the city itself will make their movie.

Far too many pilgrims naively believe that moving to LA will make them a filmmaker as though it were a rite of passage.

Sure, there may be actors and studios on every corner, but, in the end, one needs to do the hard work and make the film happen.  I believe many genuinely try; however, most are swallowed up by the very city they thought would help them.  As a result, I find myself meeting many filmdreamers, rather than filmmakers.

I’m not one to judge.  Without the support of my wife and family, there is no way I would now be making my first feature film.  I am incredibly blessed and I know it.  On the other hand, LA is my hometown.  I was born and raised here, thus, it supports me in ways it does not support my immigrant peers.  This is why I believe most aspiring filmmakers would be more productive back home where they presumably can focus less on survival and more on making films.

Film pioneers heading West are seldom warned about a simple truth: though Los Angeles routinely supports those making big budget movies, it will ultimately foil and defeat many attempting to make low-budget films.  People like me, trying to make a movie for virtually nothing are viewed as pariahs, beggars and wannabes.  Sure, there may be that rare rental house owner or editor who embraces us nobodies, but most are tired of giving handouts and have become resentful.  Even mom-and-pop store owners have become savvy and demand hundreds, if not thousands of dollars for the use of their little shop.

Such is the reality for aspiring filmmakers in Los Angeles, thus, rather than inspiration, I often find myself barraged with frustration and humiliation.  If only the thousands who migrate here every year would stay home and make the most with what they have!  Ironically, top film festivals like Sundance actually prefer provincial films set in unknown towns and communities.  Festival programmers want to be taken someplace new rather than see another crummy LA apartment.

So, perhaps, while driving out to Los Angeles, many aspiring filmmakers may have left behind their greatest asset: their hometown.

-Christopher J. Boghosian

 

Christopher J. Boghosian is an independent filmmaker in Los Angeles, California.  He regularly contributes Production Notes regarding the making of his feature film, which you can keep track of at FollowMyFilm.com.

Categories: The Garage, Production Notes, Christopher J. Boghosian, Follow My Film, L.A., Hollywood

Next Post Previous Post

Comments

NE1

on Thu 10 Jun at 12:05AM

Excellent post that rings true in more ways than two.

Thank you.

Follow My Film

on Thu 10 Jun at 09:14AM

Thanks, NEH!!!! The forum regarding this Note has been very interesting indeed: http://mubi.com/topics/9695

Justinas

on Mon 14 Jun at 09:52AM

This is so true: “where they presumably can focus less on survival and more on making films”. Once I did this and I’m so happy to be back home where I have all the contacts and my people to work with.

Moving out is good thing if you want to study or get some inspiration, but while you’re little fish – stay at your own pond. Water in LA looks so beautiful and peaceful, but there are sharks.

Anyways, I think Europe and Asia is the place to go now if you want to make movies.

Follow My Film

on Tue 15 Jun at 09:05AM

Very nice “pond” analogy, Justinas. Thanks for the comment!

mordlock99

on Wed 16 Jun at 07:16PM

Lovely article becoming a filmdreamer is what I fear most

Follow My Film

on Fri 18 Jun at 11:00AM

Thanks so much, M! Yes, filmdreaming is the danger and the only prevention is filmdoing!!! Even if the films are no good, if people just keep doing, they will improve and feel better about themselves!!!

Feel free to contact me anytime to continue this conversation – I’m quite passionate about it! :)

CGFerman

on Fri 25 Jun at 10:29AM

I love making small films. I live and work in Phoenix. I make little to no money on my films, but I do enjoy making them and people seam to like seeing them play in the local theaters. I nearly do all my films in the Phoenix area, but if I had not moved to L.A. I would not have gain the knowledge to pull off all the projects I do.

I did not mind the sharks, they make great steaks.

Ferman from Phoenix

Follow My Film

on Tue 29 Jun at 11:58PM

Thanks for the comment, Ferman. Yes, there is a lot to learn out here in LA and I love the way in which you took what you learned back to your hometown and made films! That’s great…

Anonymouse

on Fri 09 Jul at 09:15PM

Hey, let’s not bash “filmdreamers!” Dreaming is the best and most important part of film making. One of the reasons I actually prefer animation over traditional cinema is the utter freedom it offers, even granted it’s still poorly viewed in the US. Just take a look at Miyazaki. (Yes, I’m aware I’ve taken the word “filmdreamer” completely out of context here).

… in any case, I grew up in Vancouver where we got the odd Hollywood production looking for cheap locations and grand western scenery. Most of the opportunities I’ve had to work on major productions would have been closed to me in LA. But you’re right, you pretty muchjust have to plug away at it. It’s a question of passion. If you don’t enjoy the early mornings, breaking your back lifting camera equipment and banding over cliffs for a “nice shot,” you probabally shoundn’t be in cinema!

Good luck on your picture though, I’ll keep an eye on it!

Follow My Film

on Mon 09 Aug at 06:34PM

Thanks for the comment, Anonymouse and for the support!

Yes, if you don’t love cinema, then stay away! It really can be physically difficult, not to mention tremendously taxing creatively….

RaySquirrel

on Mon 09 Aug at 10:07PM

I see the future of movie-making to be small bands and networks. With the democratizing effects of digital technology a band of filmmakers as small as twenty or fewer can make a film. The only constraint is time, money and talent.

Follow My Film

on Sat 11 Sep at 12:36AM

Raysquirrel: I just wrapped production on my first feature with a crew of 7-8! I totally agree with you….