NINA MENKES NY & LA FILM RETROSPECTIVES:
Anthology & UCLA Film Archives partner to celebrate the work of
Menkes’s latest film “Dissolution” to receive one-week theatrical run in NYC concurrent with retrospective
Nina Menkes "has remained one of the few American directors whose feature films — in both form and thought — are genuinely radical. Menkes’s main preoccupation across her seven films is violence in all its forms, and her approach, oblique yet intuitive, has yielded results that have more to say on the subject than any American director since Peckinpah or Cassavetes."
[LA Weekly, June 2011]
Menkes has produced, written, directed, shot and edited her own features, for many years working closely with her sister Tinka Menkes, who was both her lead actress and creative collaborator.
Her films have shown widely in major international film festivals including Sundance, Rotterdam, Locarno, London, Viennale, San Francisco, Edinburgh, Cairo, Toronto as well as at La Cinematheque Francaise, The British Film Institute, the ICA in London, the Beijing Film Academy in China, the Whitney Museum of American Art, the Museum of Modern Art in New York, MOCA and LACMA in Los Angeles. Menkes’s many honors include a Los Angeles Film Critics Association Award, a Guggenheim Fellowship, two Fellowships from the National Endowment for the Arts, an Annenberg Foundation Independent Media Grant, an American Film Institute Independent Filmmaker Award, three Western States Regional Media Arts Fellowships and two Senior Fulbright Research Awards--one to the Middle East/North Africa, and one to India.
The retrospectives will feature eight of Nina’s films, including her two early short films--A SOFT WARRIOR (1981), documenting a serious illness suffered by Tinka as experienced by Nina – in which Tinka plays Nina– and THE GREAT SADNESS OF ZOHARA (1983), which traces the solitary, mystical journey of a Jewish girl , also played by Tinka, who leaves Jerusalem for Arab lands. The latter film won awards at the San Francisco and Houston International Film Festivals and was named "One of the Decade's Best Films" by director Allison Anders.
The sisters collaboration continued with MAGDALENA VIRAGA (1986), shot in East Los Angeles, about the inner life of a prostitute, imprisoned for killing her pimp. The film received the Los Angeles Film Critics Association award for “Best Independent/ Experimental Film of the Year,” and was featured in the Whitney Museum of American Art’s Biennial and in over 40 other international film festivals. Filmed on location in Las Vegas, QUEEN OF DIAMONDS (1991) revolves around the life of an intense, alienated blackjack dealer, played by Tinka Menkes. The film was listed as one of the Year’s Ten Best in the Los Angeles Times and Film Comment.
THE BLOODY CHILD (1996) is a mesmerizing look at the desolation of violence. Inspired by a real event – a US Marine, recently back from the Gulf War, was found digging a grave for his murdered wife in the middle of the California Mojave. Her last film with Tinka and considered by many to be her most radical, The BLOODY CHILD was also the first Menkes film to get a theatrical release,
In 2002, she shot and co-created a feature length, experimental documentary in Beirut, Lebanon, MASSAKER, about the Sabra and Shatilla massacre, which premiered at the Berlinale in 2005 and received a FIPRESCI Award. Switching to black and white photography in a work that Variety described as “Pure cinema- not since Bela Tarr's Werckmeister Harmonies has black-and-white looked so stunning”, PHANTOM LOVE (2007) is a powerful psychodrama about a young woman trapped within a suffocating family.
Loosely inspired by Dostoyevsky’s Crime and Punishment, shot in modern-day Tel Aviv, and also in black and white, DISSOLUTION (2010), Menkes’ most recent film, combines an almost surreal fairy-tale energy with brutal realism to explore the condition of violence which permeates contemporary Israeli society. The film marked her first work with the Israeli David Fire, a musician and philosopher, who played the lead role as well as collaborated with Menkes on writing and editing. The film won “Best Israeli Drama” at its premiere at the Jerusalem International Film Festival in July 2010.
The complete lineups for the Anthology Film Archives and UCLA retrospectives will be announced in December. Menkes will be present in both cities to participate in discussions after the screenings of her films.
To inquire for more info, artwork, or interviews: contact