What does the recording see? How do our instruments and their forms give us a sight more than our own, unique to their medium. Antonioni
and Lynch let us know that cinema creates not a representation of events but a unique event, that makes seen the not=seen, that confirms that un-see-able but known…
Men and women, generations of american boys – the social network is Fight Club’s update. It’s not plastics, nor anarchy,it’s billions, it’s all of these things. Note the very different camera and lighting styles here.
All passion, all of the lived is unique or can be – Gena Rowlands lives her passion, her being with enviable esteem – is she nuts, no we are. What would it be like to be married to her.
First rule of cinema, first love of cinema is to recognize a representation of yourself. I am here. This is me, this is cinema, you can see me here, on the screen. Loving the Alien who is us. From representation to pure lines of speed. Cinema moves. Cinema is thought.
The cosmos…. what can we say, it’s unspeakably outrageous, genius. And then there’s us who simultaneously know it’s much too much and that we want that Hermes bag.
CAST Raimonda Skeryte, Pedro Hernrique Rezende, Lauren Farrell, Alexandra Velascog, Aaron Schroeder
On a New York rainy day, 5 characters find themselves searching for the ultimate experience against the obvious, as they follow their instincts the night becomes shorter…at the end they meet at a Karaoke bar, see themselves on the screen while the song ‘take with me ecstasy’.. Beautiful moody saturated…