Another Year, 2013

By: Black Irish

This list will contain all the new viewings, including both shorts and features, I’ll have seen throughout the year with my ratings. Rewatches not included for convenience.

Jan. 1: Un Conte de Noël (Arnaud Desplechin, 2005) – 8/10
Jan. 5: Ossos (Pedro Costa, 1997) – 7/10
Jan. 8: No Quarto da Vanda (Pedro Costa, 2000) – 8.5/10
Jan. 9: Juventude em Marcha (Pedro Costa, 2006) – 8.5/10
Jan. 15: Joyeux Noël (Christian Carion, 2005) – 7/10
Jan. 23: The River (Jean Renoir, 1951) – 8.5/10
Jan. 25: A Very Natural Thing (Christopher Larkin, 1974) – 7/10

Feb. 8: Belle de Jour (Luis Buñuel, 1967) – 8/10
Feb. 13: Secret Beyond the Door (Fritz Lang, 1948) – 8.5/10
Feb. 15: L’Amour à Mort (Alain Resnais, 1984) – 8/10
Feb. 17: Ivan’s Childhood (Andrei Tarkovsky, 1962) – 8.5/10
Feb. 21: Romeos (Sabine Bernardi, 2011) – 6.5/10
Feb. 22: Today We Live (Howard Hawks, 1933) – 6.5/10
Feb. 26: Cave of Forgotten Dreams (Werner Herzog, 2010) – 9/10
Feb. 27 – 28: Mark Twain (Ken Burns, 2001) – 8/10

Mar. 12: Le Diable Probablement (Robert Bresson, 1977) – 9/10
Mar. 16: Viaggio in Italia (Roberto Rossellini, 1954) – 9/10
Mar. 17: The Only Son (Yasujirô Ozu, 1936) – 9/10
Mar. 18: Hallelujah! (King Vidor, 1929) – 6.5/10
Mar. 22: L’Amore (Roberto Rossellini, 1948) – 7.5/10
Mar. 22: Francesco, Giullare di Dio (Roberto Rossellini, 1950) – 8.5/10
Mar. 26: I Was a Male War Bride (Howard Hawks, 1949) – 8/10
Mar. 27: A Canterbury Tale (Powellburger, 1944) – 8.5/10
Mar. 29: Socrate (Roberto Rossellini, 1971) – 7/10
Mar. 31: La Prise de Pouvoir par Louis XIV (Roberto Rossellini, 1966) – 9/10

Apr. 2: Ascenseur pour l’échafaud (Louis Malle, 1957) – 9/10
Apr. 3: Crazeologie (Louis Malle, 1954) – 6.5/10
Apr. 4: Paris Is Burning (Jennie Livingston, 1990) – 7/10
Apr. 5: Much Ado About Nothing (Kenneth Branagh, 1993) – 6.5/10
Apr. 6: House by the River (Fritz Lang, 1950) – 9/10
Apr. 8: The Golden Coach (Jean Renoir, 1953) – 8.5/10
Apr. 9: Zazie Dans le Métro (Louis Malle, 1960) – 6/10
Apr. 10: Images Mathématiques de la Lutte Pour la Vie (Jean Painlevé, 1937) – 4.5/10
Apr. 10: La Pieuvre (Jean Painlevé, 1928) – 7.5/10
Apr. 10: Le Vampire (Jean Painlevé, 1945) – 7.5/10
Apr. 11: In My Room (Chance Taylor, 2013) – 4/10
Apr. 12: Wagon Master (John Ford, 1950) – 8/10
Apr. 15: Le Souffle au Cœur (Louis Malle, 1971) – 8.5/10
Apr. 16: The Lodger: A Story of the London Fog (Alfred Hitchcock, 1927) – 8/10
Apr. 17: Black Moon (Louis Malle, 1975) – 7/10
Apr. 20: Damage (Louis Malle, 1992) – 7/10
Apr. 22: The Perks of Being a Wallflower (Stephen Chbosky, 2012) – 9/10
Apr. 23: Vive le Tour (Louis Malle, 1962) – 7.5/10
Apr. 26: The Country Teacher (Bohdan Sláma, 2008) – 6/10
Apr. 23 – 27: The Age of the Medici (Roberto Rossellini, 1973) – 8/10
Apr. 29: Harakiri (Fritz Lang, 1919) – 6/10

May 1: Humain, Trop Humain (Louis Malle, 1973) – 7.5/10
May 1: Das Wandernde Bild (Fritz Lang, 1921) – 7/10
May 2: I Am a Thief (Robert Florey, 1934) – 7/10
May 2: Place de la République (Louis Malle, 1974) – 8.5/10
May 2: The Butch Factor (Christopher Hines, 2009) – 4.5/10
May 3: Calcutta (Louis Malle, 1969) – 7.5/10
May 3: Frau im Mond (Fritz Lang, 1929) – 8/10
May 5: Vier um die Frau (Fritz Lang, 1921) – 8/10
May 6 – 8: Phantom India (Louis Malle, 1969) – 9/10
May 10: French Cancan (Jean Renoir, 1954) – 8/10
May 11: God’s Country (Louis Malle, 1985) – 8/10
May 12: …And the Pursuit of Happiness (Louis Malle, 1986) – 8/10
May 15: Le Quai des Brumes (Marcel Carné, 1938) – 7.5/10
May 20: Sense and Sensibility (Ang Lee, 1995) – 7.5/10
May 24: Le Beau Serge (Claude Chabrol, 1958) – 9/10
May 29: Les Cousins (Claude Chabrol, 1959) – 9/10

Jun. 5: Keep the Lights On (Ira Sachs, 2012) – 8/10
Jun. 7: In Search of Avery Willard (Cary Kehayan, 2012) – 6/10
Jun. 7: Triple Standard (William Branden Blinn, 2010) – 6.5/10
Jun. 7 & 9: La Roue (Abel Gance, 1923) – 7.5/10
Jun. 10: Abel Gance: The Charm of Dynamite (Kevin Brownlow, 1968) – 9/10
Jun. 13: Gun Hill Road (Rashaad Ernesto Gree, 2011) – 4.5/10
Jun. 14: The Manxman (Alfred Hitchcock, 1929) – 6.5/10
Jun. 16: The Ring (Alfred Hitchcock, 1927) – 6.5/10