Feminist Cinema
By: Lucas Schlemper
A film that displays feminist philosophy and shows action through a female(s) point of view, often discussing political, economical and cultural oppression of women in society. Stemming from literary and film theory, it also describes non-traditional methods for reading, understanding, and evaluating films from the viewpoint of how they portray women. Unlike most genres, which arise formally out of successfully repeated conventions and formulas, feminist filmmaking is defined ideologically. These films often point out the necessity to reconsider film history, its existing stereotypes and formulas — and along with it, women’s roles in both cinematic narratives and society — through subversion and re-definition. Some films acknowledge the typical sexual objectification, weakness and stock images (the good mother, the vamp, the fallen woman, the waif) assigned to women characters as a way to unbury long-accepted norms.

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01Marleen Gorris
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02Pedro Almodóvar
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03Catherine Breillat
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04Jane Campion
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05Martin Scorsese
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06Ana Carolina
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07Catherine Breillat
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08Catherine Breillat
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09Catherine Breillat
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10Maya Deren
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11Agnès Varda
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12Catherine Breillat
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13Stephen Daldry
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14Marleen Gorris
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15Catherine Breillat
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16Jane Campion
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17Jane Campion
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18Sally Potter
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19Catherine Breillat
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20Germaine Dulac
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21Diane Kurys
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22Ana Carolina
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23Julio Medem
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24Rogério Sganzerla
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25Jane Campion
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26Paul Morrissey
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27Marzieh Makhmalbaf
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28Amos Gitai
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29Chantal Akerman
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30Chantal Akerman
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31Richard Brooks
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32Margarethe von Trotta
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33Volker Schlöndorff
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34Yvonne Rainer
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35Andrucha Waddington
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36Éric Rohmer
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37Catherine Breillat
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38Josef von Sternberg
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39Michael Haneke
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40Catherine Breillat
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41Rebecca Miller
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42Carla Camurati
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43Cyrus Nowrasteh
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44Michelangelo Antonioni
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45Mary Harron
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46Julie Taymor
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47Eva Ionesco
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48Cindy Sherman
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49Werner Schroeter
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50Frans Zwartjes
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51Maurice Pialat