Girls, Guys, Guns: Top Fifty Film Noirs
By: Jarrod
American film noirs in some kind of vague yet particular order.
To make up a round fifty, slot these in where you see fit:
Detective Story (William Wyler, 1951)
Body and Soul (Robert Rossen, 1947)
Criss Cross (Robert Siodmak, 1948)
Kiss Tomorrow Goodbye (Gordon Douglas, 1950)
D.O.A (Rudolph Mate, 1950)
The Dark Corner (Henry Hathaway, 1946)
Cornered (Edward Dmytryk, 1945)
Murder, My Sweet (Edward Dmytryk, 1944)
This Gun for Hire (Frank Tuttle, 1942)
Odds Against Tomorrow (Robert Wise, 1959)
Stranger on the Third Floor (Boris Ingster, 1940)
The Blue Dahlia (George Marshall, 1946)
Beyond a Reasonable Doubt (Fritz Lang, 1956)
Mad Love (Karl Freund, 1935)
Suddenly (Lewis Allen, 1954)
The File on Thelma Jordan (Robert Siodmak, 1950)
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01Robert Wise
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02Billy Wilder
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03John Huston
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04Robert Siodmak
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05Edward Dmytryk
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06Nicholas Ray
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07Richard Fleischer
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08Ted Tetzlaff
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09Joseph H. Lewis
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10Otto Preminger
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11Jacques Tourneur
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12Howard Hawks
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13Fritz Lang
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14Otto Preminger
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15Billy Wilder
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16Stanley Kubrick
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17Bob Rafelson
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18John Huston
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19Fritz Lang
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20Stanley Kubrick
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21Fritz Lang
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22Charles Vidor
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23Joseph H. Lewis
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24Samuel Fuller
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25Fritz Lang
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26Fritz Lang
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27Fritz Lang
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28Otto Preminger
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29Robert Siodmak
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30Orson Welles
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31Jules Dassin
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32Raoul Walsh
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33Nicholas Ray
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34Jules Dassin
