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The 1990s

By: Jake

Wanna See:
4 Little Girls (Spike Lee, 1997)
Akira Kurosawa’s Dreams (Akira Kurosawa, 1990)
All About My Mother (Pedro Almodovar, 1999)
Les Amants Du Pont-Neuf (Leos Carax, 1991)
American Buffalo (Michael Corrente, 1996)
American Movie (Chris Smith, 1999)
And Life Goes On (Abbas Kiarostami, 1992)
The Apostle (Robert Duvall, 1997)
As Good As It Gets (James L. Brooks, 1997)
Ashes of Time (Wong Kar-Wai, 1994)
Babe: Pig in the City (George Miller, 1998)
Basquiat (Julian Schnabel, 1996)
Before Sunrise (Richard Linklater, 1995)
La Belle Noiseuse (Jacques Rivette, 1991)
Bitter Moon (Roman Polanski, 1992)
The Blackout (Abel Ferrara, 1997)
Body Snatchers (Abel Ferrara, 1993)
Bound (Andy & Larry Wachowski, 1996)
Boyz n the Hood (John Singleton, 1991)
Braveheart (Mel Gibson, 1995)
Breaking the Waves (Lars von Trier, 1996)
A Brighter Summer Day (Edward Yang, 1991)
Buffalo ‘66 (Vincent Gallo, 1998)
Careful (Guy Maddin, 1992)
The Castle (Michael Haneke, 1997)
Catchfire (Dennis Hopper, 1990)
Celebrity (Woody Allen, 1998)
Cemetery Man (Michele Soavi, 1996)
Chungking Express (Wong Kar-Wai, 1994)
Clockers (Spike Lee, 1995)
Close-Up (Abbas Kiarostami, 1990)
Crash (David Cronenberg, 1996)
Crooklyn (Spike Lee, 1994)
Croupier (Mike Hodges, 1998)
Cry-Baby (John Waters, 1990)
Days of Being Wild (Wong Kar-Wai, 1991)
Dead Man (Jim Jarmusch, 1995)
Death and the Maiden (Roman Polanski, 1994)
Desperado (Robert Rodriguez, 1995)
Donnie Brasco (Mike Newell, 1997)
The Doors (Oliver Stone, 1991)
The Double Life of Veronique (Kryzsztof Kieslowski, 1991)
Double Team (Tsui Hark, 1997)
The Edge (Lee Tamahori, 1997)
The English Patient (Anthony Minghella, 1996)
Europa (Lars von Trier, 1991)
Exotica (Atom Egoyan, 1994)
La Femme Nikita (Luc Besson, 1990)
Fallen Angels (Wong Kar-Wai, 1995)
Faraway, So Close! (Wim Wenders, 1993)
Farewell My Concubine (Chen Kaige, 1993)
Fireworks (Takeshi Kitano, 1997)
Flowers of Shanghai (Hou Hsaio-hsien, 1998)
Following (Christopher Nolan, 1998)
Freddy’s Dead: The Final Nightmare (Rachel Talalay, 1991)
The Funeral (Abel Ferrara, 1996)
Get on the Bus (Spike Lee, 1996)
Get Shorty (Barry Levinson, 1995)
Gray’s Anatomy (Steven Soderbergh, 1997)
Hamlet (Kenneth Branagh, 1996)
Happiness (Todd Solondz, 1998)
Happy Together (Wong Kar-Wai, 1997)
He Got Game (Spike Lee, 1998)
Heavenly Creatures (Peter Jackson, 1994)
Highway Patrolman (Alex Cox, 1991)
Histoire(s) du cinema (Jean-Luc Godard, 1997)
Homicide (David Mamet, 1991)
Hurlyburly (Anthony Drazen, 1998)
The Hunchback of Notre Dame (Gary Trousdale & Kirk Wise, 1996)
The Idiots (Lars von Trier, 1998)
In the Company of Men (Neil LaBute, 1997)
In the Name of the Father (Jim Sheridan, 1993)
Innocent Blood (John Landis, 1992)
Interview with the Vampire (Neil Jordan, 1994)
Irma Vep (Olivier Assayas, 1996)
Kafka (Steven Soderbergh, 1991)
Kansas City (Robert Altman, 1996)
King of the Hill (Steven Soderbergh, 1993)
King of New York (Abel Ferrara, 1990)
The Last Days of Disco (Whit Stillman, 1998)
Late August, Early September (Olivier Assayas, 1998)
Leaving Las Vegas (Mike Figgis, 1995)
Life Stinks (Mel Brooks, 1991)
Little Dieter Needs to Fly (Werner Herzog, 1997)
Lock, Stock and Two Smoking Barrels (Guy Ritchie, 1998)
Lone Star (John Sayles, 1996)
Loose Cannons (Bob Clark, 1990)
Lost Highway (David Lynch, 1997)
M. Butterfly (David Cronenberg, 1993)
Mad Dog and Glory (John McNaughton, 1993)
Malcolm X (Spike Lee, 1992)
Man Bites Dog (Rémy Belvaux, André Bonzel & Benoît Poelvoorde, 1992)
Man on the Moon (Milos Forman, 1999)
El Mariachi (Robert Rodriguez, 1993)
Metropolitan (Whit Stillman, 1990)
Miami Blues (George Armitage, 1990)
Mighty Aphrodite (Woody Allen, 1995)
Mo’ Better Blues (Spike Lee, 1990)
Mother (Albert Brooks, 1996)
The Muse (Albert Brooks, 1999)
My Own Private Idaho (Gus Van Sant, 1991)
Naked (Mike Leigh, 1993)
Natural Born Killers (Oliver Stone, 1994)
New Jack City (Mario Van Peebles, 1991)
Night on Earth (Jim Jarmusch, 1991)
The Ninth Gate (Roman Polanski, 1999)
Nixon (Oliver Stone, 1995)
One False Move (Carl Franklin, 1991)
Orlando (Sally Potter, 1992)
The People Under the Stairs (Wes Craven, 1991)
The People vs. Larry Flynt (Milos Forman, 1996)
Perfect Blue (Satoshi Kon, 1998)
A Perfect Candidate (R.J. Cutler & David Van Taylor, 1996)
Permanent Midnight (David Veloz, 1998)
Phantasm III: Lord of the Dead (Don Coscarelli, 1994)
Phantasm IV: Oblivion (Don Coscarelli, 1998)
The Piano (Jane Campion, 1993)
Point Break (Kathryn Bigelow, 1991)
Porco Rosso (Hayao Miyazaki, 1992)
Pusher (Nicolas Winding Refn, 1996)
Quick Change (Howard Franklin & Bill Murray, 1990)
Raise the Red Lantern (Zhang Yimou, 1991)
Red Rock West (John Dahl, 1993)
The Remains of the Day (James Ivory, 1993)
Reversal of Fortune (Barbet Schroeder, 1990)
Ride with the Devil (Ang Lee, 1999)
A River Runs Through It (Robert Redford, 1992)
Rob Roy (Michael Caton-Jones, 1995)
Robocop 2 (Irvin Kershner, 1990)
Ronin (John Frankenheimer, 1998)
Rounders (John Dahl, 1998)
Run Lola Run (Tom Tykwer, 1998)
Safe (Todd Haynes, 1995)
Secrets & Lies (Mike Leigh, 1996)
Shall We Dance? (Suo Masayuki, 1996)
A Simple Plan (Sam Raimi, 1998)
Sonatine (Takeshi Kitano, 1993)
The Spanish Prisoner (David Mamet, 1997)
Spanking the Monkey (David O. Russell, 1994)
The Straight Story (David Lynch, 1999)
Strange Days (Kathryn Bigelow, 1995)
Summer of Sam (Spike Lee, 1999)
The Sweet Hereafter (Atom Egoyan, 1997)
Swingers (Doug Liman, 1996)
Taste of Cherry (Abbas Kiarostami, 1997)
The Thin Red Line (Terrence Malick, 1998)
Three Businessmen (Alex Cox, 1998)
Three Colors: Blue (Kryzsztof Kieslowski, 1993)
Three Colors: Red (Kryzsztof Kieslowski, 1994)
Three Colors: White (Kryzsztof Kieslowski, 1994)
To Die For (Gus Van Sant, 1995)
To Sleep with Anger (Charles Burnett, 1990)
Topsy-Turvy (Mike Leigh, 1999)
Trust (Hal Hartley, 1990)
Twin Peaks: Fire Walk with Me (David Lynch, 1992)
Under the Olive Trees (Abbas Kiarostami, 1994)
Vampires (John Carpenter, 1998)
Velvet Goldmine (Todd Haynes, 1998)
Very Bad Things (Peter Berg, 1998)
The Virgin Suicides (Sofia Coppola, 1999)
Wag the Dog (Barry Levinson, 1997)
The War Room (Chris Hegedus & D.A. Pennebaker, 1993)
Welcome to the Dollhouse (Todd Solondz, 1995)
When We Were Kings (Leon Gast, 1996)
Wild Things (John McNaughton, 1998)
The Winslow Boy (David Mamet, 1999)
Zero Effect (Jake Kasdan, 1998)

 

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