Claire Denis’ first digital film is a cryptically elliptical, profoundly somber melodrama of exploitation, loneliness, anger and family.

Adam Cook & Daniel Kasman discuss James Gray’s The Immigrant, a departure in many ways for one of America’s great contemporary filmmakers.

From footage of the first interview originally shot for but unused in Shoah, Lanzmann fashions a new film set at once in 1975 & 2012.

Nicolas Winding Refn’s highly anticipated follow-up to Drive is a work of tritely over-thought stylization.

The American remake of the Mexican horror film (programmed in Quinzaine in 2010) unfolds a complex meditation upon family and foundation.

Adam Cook & Daniel Kasman discuss Steven Soderbergh’s “last” film, another work of alternately digital and classical pleasures.

Serge Bozon’s follow-up to La France six years later is a modestly scaled what’s-it, a deadpan burlesque pseudo-detective film.

Anthony Chen’s first feature is a heartfelt, lived-through vision of the 1997 Asian crisis in Singapore.

Adam Cook & Daniel Kasman discuss Johnnie To’s madcap new film, a crime-comedy-romance that (joyously) doesn’t know when to quit.