Cosmic View
matthew swiezynskiCosmic View
matthew swiezynski
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Anatomy of Saul Bass
matthew swiezynskiSaul Bass titles on Otto Preminger's Anatomy of a Murder, 1959
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Bressonian Artificial Eye
matthew swiezynskiA Man Escaped (Robert Bresson, 1956)Artificial Eye DVD Lancelot du Lac (Robert Bresson, 1974)Artificial Eye DVD Subtleties in 2 films by Robert Bresson, with moments of darkness
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The Influence of Marfa on Cinema, part 2 (Landscape in There Will Be Blood)
matthew swiezynskilandscape images from There Will be Blood (Paul Thomas Anderson, 2007) cinematography by Robert Elswitsome things to consider:-Donald Judd and the Chinati Foundation -The Marfa Lights -Giant (Stevens
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The Influence of Marfa on Cinema, part 1 (Landscape in No Country For Old Men)
matthew swiezynskisome things to consider:-Donald Judd and the Chinati Foundation -The Marfa Lights -Giant (Stevens, 1956) -No Country For Old Men (Joel and Ethan Coen, 2007) -There Will Be Blood (Anderson, 2007) Donald
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Roger Deakins, Cinematographer
matthew swiezynskiCinematographer born in 1949 (Torquay, Devon, England), Roger Deakins is most widely known for his cinematography for the Joel and Ethan Coen’s films.Some influences: "I still remember watching The War
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Image series: Nora inu, sans personnes
matthew swiezynskiAkira Kurosawa's Stray Dog (Nora inu), 1949 Cinematography: Asakazu Nakai Assistant director: Ishiro Honda(moments without human presence)"I had Ishiro Honda do mainly second-unit shooting. Every day