Lost Sounds and Soundtracks. Dario Argento's "Phenomena"
Ben SimingtonA chilling, melancholy piece of music to Dario Argento’s oft-overlooked grim fairy tale, Phenomena (1985), by Bill Wyman and Terry Taylor.
A chilling, melancholy piece of music to Dario Argento’s oft-overlooked grim fairy tale, Phenomena (1985), by Bill Wyman and Terry Taylor.
A look at five varied musical compositions used by Werner Herzog as cues in his movies.
John Corigliano’s soundtrack for a world closed off to love.
Brian Bennett’s piece of music used in Cronenberg’s film is hypnotic, unnerving, minimal, and with just a whisper of cold, sterile futurism.
From a making-of documentary on George Miller’s Mad Max 2: The Road Warrior (1981).
There was a lot of confusion following last year’s announcement that Werner Herzog would be filming his next documentary subject in 3D. The confusion did not arise from the film's topic.
Takemitsu’s dread score distorts the director’s abundant visual imagination into something more like superstition.
"You've got to ask yourself one question: 'Do I feel lucky?' Well, do ya, punk?" —Dirty Harry (Don Siegel, 1971) *** "Dead or alive, you're coming with me." —Robocop (Paul Verhoeven, 1987
Howard Blake’s duel cues and Prokofiev pastiches for Tony Scott’s debut film.
Elliot Goldenthal’s commercially unavailable “End Titles” music to Michael Mann’s Heat.
Ole Ørsted’s music for The Sinful Dwarf.