"Crimson Tide"
Ryland Walker KnightMovement 1B in a critical exquisite corpse project analyzing films by Tony Scott. This entry focuses on Crimson Tide (1995).
Movement 1B in a critical exquisite corpse project analyzing films by Tony Scott. This entry focuses on Crimson Tide (1995).
How Nathaniel Dorsky’s newest films ask viewers to think in images, not words.
A discussion between two Notebook critics on Steven Soderbergh’s globetrotting epidemic thriller, Contagion.
We talked to the energetic and charming Sri Lankan auteur at Cannes about his life and his new movie.
We at MUBI think that celebrating the films of 2010 should be a celebration of film viewing in 2010. Since all film and video is "old" one way or another, we present Out of a Past, a small (re-) collection
Turns out Natalie Portman and Mila Kunis are each starring in a romantic comedy in 2011 with the same exact ethical conundrum at its crux.
The Auteurs—MUBI's center for film curation—is collaborating with Agnès Varda to show the filmmaker's shorts and features online, many of which are quite rare. Find out more here. In honor of the exhibition
Where The Wild Things Are and Fantastic Mr. Fox are new to DVD this month, offering viewers more at home opportunities to grapple with their different approaches to how we might define a "children
Photograph by Chaisiri Jiwarangsan © Kick the Machine Films, 2009. This week The Auteurs began its free online premiere of Apichatpong Weerasethakul's new short film, A Letter to Uncle Boonmee
Movies are made up of images, even the bad ones. But the bad movies rarely leave any images lingering in your brain. The great films are the ones making great images. A great image is many things, by
Movies are made up of images, even the bad ones. But the bad movies rarely leave any images lingering in your brain. The great films are the ones making great images. A great image is many things, by
Famously termed "shallow box cinema" by Manny Farber in his final missive of film criticism, Chantal Akerman's Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles is a film of labor and of right angles