"Spring Breakers" or The American Way of Death
Celluloid Liberation FrontKorine’s last film is an a-temporal, sensorial trance staring in awe at the horror vacui of a lost, immor(t)al dream.
Korine’s last film is an a-temporal, sensorial trance staring in awe at the horror vacui of a lost, immor(t)al dream.
LOL by Joe Swanberg is a monumental work, the agonising howl of a generation with nothing left to say.
Should you be interested in the inner mechanics of authority made in England, look no further than Bond, James Bond.
A film that walks the improbable line between trash and avant-garde, crying for (re-)discovery outside the realm of cult.
Mass pornography, more than love, will tear us apart.
The Curtas Vila Do Conde Short Films Festival offers a varied & rich selection that exemplifies the special qualities of short form cinema.
With Spaghetti Westerns, commercial cinema provided a lively and genuine commentary on the growing radicalization of the Italian left.
An extraordinary incursion in the potential of historical fiction that bypasses dates, landmarks and heroes to show history from within.
Post-Cannes thoughts on Wes Anderson, Rufus Norris’ opening night film for Critics’ Week, and Matteo Garrone’s prize-winner, Reality.
This possessed avant-gardist gate-crashed the 7th Art leaving a succinct but indelible body of work: a death rattle of anti-cinema.
BFI inaugurates its new programme Broadcasting the Arts with John Berger’s seminal TV series Ways of Seeing.
Final part of the coverage from Rotterdam’s retrospective The Mouth of Garbage, on Brazil’s “successful avant-garde” of popular cinema.