The Forgotten: CSI Roma
David CairnsBased on its title, and a one-line synopsis in Halliwell's Film Guide, this movie (Investigation of a Citizen Above Suspicion, Elio Petri, 1970), had long been a movie I'd wanted to see. Observe: "A
Based on its title, and a one-line synopsis in Halliwell's Film Guide, this movie (Investigation of a Citizen Above Suspicion, Elio Petri, 1970), had long been a movie I'd wanted to see. Observe: "A
Q: What record would you take to a desert island? A: Myself. Allow me to explain. A castaway finds an improbable art deco structure, quite deserted, on his new desert island home. But when he turns
Michel Deville can't, or shouldn't, be considered forgotten, can/should he? He's still alive, and his last film was as recent as 2005 (Un fil à la patte, with Emanuelle Beart). Among his past works available
The big question about Chicago (1927), the first version of the famous play which later gave us Ginger Rogers as Roxie Hart and, ahem, some other people in a musical, is, "Did credited director Frank
Tom Tykwer has had a somewhat up-and-down career, at least according to the reviews, but what he's up to now may be that rare thing in cinema, an unqualified good. Using his own money, he's set up a
"When a director dies, he becomes a cinematographer." That softly devastating one-liner, initially applied, I believe, to Josef von Sternberg, perhaps comes from a prejudice against the purely visual
"No more Lubitsch," said Billy Wilder, at the Great Man's funeral. "Worse than that," said William Wyler. "No more Lubitsch movies." The suspicion, amounting almost to a certainty, that Jacques Rivette
A Dandy in Aspic (1968) is Anthony Mann's last film, or perhaps not: he died during production, and the remaining footage, including the film's ending, was shot under the direction of the star, Laurence
Someone to Remember (1943) is a Robert Siodmak film so obscure even Deborah Lazaroff Alpi, author of the near-definitive R.S. overview Robert Siodmak, A Biography, apparently hadn't seen it. Shot during
To begin with, something I'm outrageously proud of. Not only did my partner and I attend the public celebration of animator and special effects genius Ray Harryhausen's 90th birthday, but I was able
Josef von Sternberg's Thunderbolt (1929), his first talkie, is perhaps not so much forgotten as simply hard to see, which means it lives on in the minds of film lovers but in abstracted form, since so
During a brief and unsuccessful attempt at becoming a flaneur, and working off some excess weight, I found myself in an unfamiliar part of my city. Making my way down a street of boxy concrete structures