The Forgotten: Sticky Figments
David CairnsCraig Baldwin’s Mock Up On Mu is the first example I’ve seen of his brand of Bruce Conner-influenced experimental cut-up narratives.
Craig Baldwin’s Mock Up On Mu is the first example I’ve seen of his brand of Bruce Conner-influenced experimental cut-up narratives.
"This was never a fun place. Oh, they had a pool and everything, but it was never fun." The title 11 Harrowhouse (1974) has a grim sound to it, but it's a largely light movie, tipped over from heavy
Above: If you ever wondered what a pharaoh's nursery would look like... He was born Manó Kertész Kaminer in Hungary in 1886, began directing as Kertész Mihály, switched to
According to a title card at the end of Laissez-Passer, Bertrand Tavernier's fact-based drama of the French film industry in wartime, Maurice Tourneur hated the scripts of the few movies he made post
Following their invaluable collection Female Comedy Teams, Filmmuseum Munchen rescues another forgotten comedian from the ashes of history with two discs of Max Davidson Comedies, celebrating an ethnic
Does the world need another version of “The Postman Always Rings Twice”? Béla Tarr thinks so.
Yves Allégret is part of that generation of French filmmakers it's no longer safe to ignore, despite their dismissal by Cahiers du Cinema. Continuing the melancholy strains of poetic realism into
"To the west, there is nothing, except America." Revived at Edinburgh Internbational Film Festival, Alexander Mackendrick's first film, Whisky Galore! (released in the USA as Tight Little Island) is
Marie Losier's documentary tells the story of a couple. They happen to comprise Genesis Breyer P-Orridge, industrial music pioneer of the bands Throbbing Gristle and Psychic TV, and Lady Jaye Breyer
You know about in-betweeners? They're the people who, in classical studio animation, draw the characters in between the key poses. The key poses are drawn by the animator. In-betweeners may be less experienced
With the voyeuristic Four Nights with Anna and the visceral, brutal, beautiful and nearly wordless Essential Killing, Jerzy Skolimowski can be said to have made a comeback, but since when has he been
René Clemént's La baby sitter (1975) is a damned good twisty thriller, so I don't know why it has a lousy reputation. Its director belonged to that tricky post-war, pre-nouvelle vague