Cannes 2013. Passing Shots: Farhadi, Kore-Eda, Kashyap, Jodorowsky
Daniel KasmanShort takes on two major titles in Competitions, an Indian genre film in Directors’ Fortnight, and Alejandro Jodorowsky’s return to cinema.
Daniel Kasman
-
-
Cannes 2013. Ambush from Four Directions: Jia Zhangke's "A Touch of Sin"
Daniel KasmanJia layers fiction, documentation, cultural history & cinema history into a fluid and elegant series of four geography-spanning moral tales.
-
America: What's Wrong with this Face?
Daniel KasmanWhy is Henry Fonda America’s wrong man? Or: Why is America Henry Fonda’s country of residence?
-
Notebook Reviews: Ulrich Seidl's "Paradise: Love"
Daniel KasmanThe first part in a trilogy of films on “paradise” by Austrian director Ulrich Siedl. Love focuses on sex tourism in Kenya.
-
Jean-Pierre Melville's Final Film
Daniel KasmanJean-Pierre Melville’s last film, Un flic, is also a final film, one which travels to cinema’s edge and faces a void.
-
Ozu's Cinephilia
Daniel KasmanA cinephile citation by Ozu in his masterpiece Late Spring (1949).
-
Notebook Reviews: Raúl Ruiz's "Night Across the Street"
Daniel KasmanSupposedly the final film for the Chilean master—and a rare Chilean production too—sees a man preparing for retirement and his death.
-
Graf Attack!: or The Possibility Space (The Cinema of Dominik Graf)
Daniel KasmanAn overview of the revelations of Rotterdam’s retro on the German auteur.
-
Rotterdam 2013. Of Cinema, Pixels, and Chinese Warfare
Daniel KasmanOur third report from the 2013 festival, about films by Mary Helena Clark, Makino Takashi, and Johnnie To.
-
Rotterdam 2013. Two as One as Many
Daniel KasmanOur second report from the 2013 festival, about films by Kira Muratova, Jean-Claude Brisseau, and David Gatten.
-
Rotterdam 2013. Trembling Disturbed
Daniel KasmanOur first report from the 2013 festival, about new films by Sergei Loznitsa, Peter Schreiner, Pedro Costa, and Filipa César.
-
Records of Material Objects in Cinema #13
Daniel KasmanFrom Mikio Naruse’s Hideko, the Bus Conductress (1941).
