What better title for Thanksgiving weekend? And what better film for the annual urban exodus than this superb debut feature by French-Swiss director Ursula Meier: a film which deals with both domesticity and
“A thing of beauty is a joy for ever: Its loveliness increases...” This gorgeous French poster for Jane Campion’s Bright Star (which doesn't open in Paris until January) is quite a departure from the
If anyone merits the “big head” poster treatment so expertly parodied by Funny or Die it would be everybody’s favorite movie star George Clooney. Lately, however, Clooney has started to disappear from
I wasn't intending to feature a third horror movie poster in a row for this column, but then I saw House, and, more importantly, I saw this poster. Made in 1977, House is a cult Japanese comic
Though this French poster for the 1961 Hammer horror The Curse of the Werewolf—with a lycanthropic Oliver Reed bursting through a window (and his shirt) against a garish pink sky—is terrific by itself
I love this poster for Ti West's blandly titled but reportedly quite impressive horror flick The House of the Devil most of all for its perfectly realized retro look. Already available on VOD and coming
The superb British poster for Terry Gilliam’s latest folly The Imaginarium of Doctor Parnassus (which opens today in the UK and on Christmas Day in the US) is all in the details. The movie most famous
This suitably autumnal poster for Louis Malle’s Le feu follet (The Fire Within) was the creation of the brilliant German designer Hans Hillmann. Now 83 years old, Hillmann was a major film poster designer
As a great big lurid question mark hangs over his future, it seems that there's no time like the present to celebrate the films of Roman Polanski, in poster form. (Glenn Kenny has already spoken much
The New York Film Festival starts today (kicking off with former Movie Poster of the Week star Wild Grass) so I thought it only fitting this week to feature the official festival poster, which is one of
Say what you will about Harmony Korine's films, but his posters are something else. If his cinematic output can be criticized as formless, arbitrary, crudely provocative and often intentionally repulsive
Visually striking and deeply unpleasant, and thus perfectly in sync with the film it is promoting, the Australian poster for Lars von Trier's Antichrist was designed by Jeremy Saunders and is already