Dear Roger
Ignatiy VishnevetskyA letter to a friend.
Ignatiy Vishnevetsky
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Trojan Horses and Immaculate Math: An Interview with Steven Soderbergh
Ignatiy VishnevetskyThe prolific filmmaker talks about money, intuition, digital style, and betraying the audience.
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Notebook Reviews: Walter Hill's "Bullet to the Head" & Álex de la Iglesia's "As Luck Would Have It"
Ignatiy VishnevetskyA master’s hackwork and a slicked-up cartoon.
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What is the 21st Century?: Revising the Dictionary
Ignatiy VishnevetskyCan criticism find a place for workflow?
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Echoes #11
Ignatiy VishnevetskyDavids cameo in uniform.
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What is the 21st Century?: Hear This, It's Real
Ignatiy VishnevetskyA look at live-sung musical numbers, past and present.
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Notebook Reviews: Christian Petzold's "Barbara"
Ignatiy VishnevetskyAn East German hospital circa 1980 becomes a locus of decision-making.
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The Monitor Mentality, or A Means to an End Becomes an End in Itself: Kathryn Bigelow's "Zero Dark Thirty"
Ignatiy VishnevetskyA portrait of modern warfare as self-perpetuating technocracy.
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What is the 21st Century?: Frame-Rate Follies
Ignatiy VishnevetskyAfter a three year absence, the column returns with a look at The Hobbit’s 48 fps technology.
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Notebook Reviews: John Hyams' "Universal Soldier: Day of Reckoning"
Ignatiy VishnevetskyThe follow-up to Universal Soldier: Regeneration is a bleak, challenging genre hybrid.
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Heading into Twilight
Ignatiy VishnevetskyMovement 2A in a critical exquisite corpse project analyzing films by Tony Scott. This entry focuses on The Taking of Pelham 1 2 3 (2009).
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Notebook Reviews: Paul W.S. Anderson's "Resident Evil: Retribution 3D"
Ignatiy VishnevetskyThe world’s least pretentious auteur makes his most generic—and most playful—movie yet.