Viennale 2012. James Benning's "the war"
Daniel KasmanA new video work by American avant-garde filmmaker James Benning explores the videos of Russian activist/activist-art group Voina (“war”).
Daniel Kasman
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Viennale 2012. The Unseen Guerilla
Daniel KasmanOn Fritz Lang’s most unknown and unappreciated American film: 1950’s An American Guerilla in the Philippines.
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Viennale 2012. American Genres
Daniel KasmanA brief look at Hollywood genre filmmaking from 1941 – 2010 through films screened at the Viennale by Lang, Ford, Carpenter and Scott.
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Viennale 2012. The Major and the Minor
Daniel KasmanThe Vienna International Film Festival begins, including a complete Fritz Lang retrospective.
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Spatial Suspense: A Conversation with Christian Petzold
Daniel KasmanThe director of Barbara talks horror films, surveillance, shooting on 35mm, the sound of a room, the silence of a set.
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Putting the Parts Together: A Conversation with Abbas Kiarostami
Daniel KasmanDiscussing making his new movie in Japan.
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Images of the Day. Peter Kubelka's Monument Film sculpture
Daniel KasmanImages from an installation constituting Kubelka’s new film, Antiphon, Arnulf Rainer (1960), and the two combined.
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A Land Imagined: A Conversation with Nicolas Rey
Daniel KasmanAbout Rey’s experimental 16mm feature, differently, Molussia, which adapts a book on totalitarianism the filmmaker has never read.
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Love in the Painted Image
Daniel KasmanFrom the New York Film Festival, David Gatten’s first work in digital video is a long form movie capturing painted images and broken texts.
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Cinema Sounding System
Daniel KasmanAn ingenious, claustrophobic dream film at the NYFF centers on a sound mixer helping produce a horrifically violent giallo.
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A Property of Movies: A Conversation with Brian De Palma
Daniel KasmanThe director talks about his new movie, home video cinephilia, working with cinema’s greatest composers, and more.
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TIFF 2012. Correspondences #8
Daniel KasmanOur correspondant’s last report from TIFF discusses new Oliveira, work from a HK genre master, Leviathan, and more.