Berlinale 2008: Quote of the day
Daniel KasmanIf you were cold...if you were hot! But you are lukewarm, and I spit you out! -Klaus Kinski in his notorious one man show, Jesus Christ Saviour (Goyer, Germany), either in character as Jesus speaking
If you were cold...if you were hot! But you are lukewarm, and I spit you out! -Klaus Kinski in his notorious one man show, Jesus Christ Saviour (Goyer, Germany), either in character as Jesus speaking
Above: Ann Savage as Guy Maddin's mother in the bizarre Winnipeg television production, "Ledgeman". I may be getting a bit frustrated with Guy Maddin’s more blatantly autobiographical progression away
I love the idea of Isabella Rossellini’s Green Porno, its form and style so thoughtfully determined by the desire to create a film that is not just legible but tailored to the specifications of the small
Above: Costa (Gérald Thomassin) gazes off into the distance and sees mystery. Jacques Doillon arrests a strange, almost uncanny kind of intimacy from his new film, the almost-masterpiece Le Premier
Audrey Estrougo’s directorial debut Regarde-moi is reminiscent of another tale of teenager love that uses its setting of the French housing projects to much greater insight, Abdel Kechiche’s 2004 Games
Every festival should follow the lead of Berlinale and make a habit out of screening retrospective works of long established directors who are there to show their new films. I, for example, was not familiar
Above: a regular family business: Daniel Plainview (Daniel Day Lewis), with son H.W. (Dillon Freasier). For one, let’s not think that There Will Be Blood is a departure for Paul Thomas Anderson, who
The same reason it is easy to pinpoint the interest in Tan Pin Pin's Invisible City is in fact the same reason the documentary fails: the video, for its unfortunately short running time, seems like a
Above: Outi Mäenpää looks with worry at the young woman sleeping with her husband, played by Ria Kataja. Sometimes it is only the actor who can escape the clutches of a resounding bad—or in this case
So much of so-called criticism boils down to good or bad judgment calls. This is not to say that personal opinion, or even the endorsement or dismissal of films is uncritical, but rather a statement probably
I could not possibly think of a more apt title for Pere Portabella’s new film The Silence Before Bach. As idiosyncratic and inspired in its own approach to the music of Johann Sebastian Bach as was Jean
Above: Marlena (Lizzy Caplan) stuck between the military and the monster. What a frustrating mess of possibilities and failed opportunities Cloverfield is! It is a monster-attacks-city movie at heart