Reverses #2: Love Folds Space and Time
Daniel KasmanOur continuing series on the power of the reverse shot. Tony Scott’s Déjà Vu riffs off of Hitchcock’s Vertigo with the latest tech.
Daniel Kasman
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Echoes #3
Daniel Kasman…Or: The Inventiveness of Filmcraft: How to Slide a Camera Down a Dune.
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Notebook Reviews: Jafar Panahi and Mojtaba Mirtahmasb's "This Is Not a Film"
Daniel KasmanUsing the barest means but inspired by their art, passion, and existence in the world, Panahi and Mirtahmasb craft a masterpiece of truth.
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Tumbleweed Tales #2
Daniel KasmanA shot in the dark: Anne Baxter, a revolver, the night, in William Wellman’s Yellow Sky (1948).
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Echoes #2
Daniel KasmanOh! the mysteries found in a cup of tea. Mysteries by Kobayashi and Ruiz.
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Image of the day. "Jobless Men Keep Going"
Daniel KasmanAn amazing publicity still of William Wellman’s Depression-era masterpiece, Heroes for Sale.
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The Details: Two Mysterious Edits by Robert Bresson
Daniel KasmanTwo similar and mysterious moments from Au hasard Balthazar and Une femme douce. What’s going on here?
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MUBI Co-Presenting David Lynch's "Twin Peaks: Fire Walk with Me" in New York
Daniel KasmanWe’ll be co-presenting a 35mm print of David Lynch’s maligned masterpiece for two nights in New York City!
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Notebook Reviews: Frederick Wiseman's "Crazy Horse"
Daniel KasmanAmerica’s preeminent documentarian turns again to a French subject, moving from a Parisian ballet to a Parisian cabaret.
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Records of Material Objects in the Cinema #10: A Band-Aid on Anne Wiazemsky's Leg
Daniel KasmanAn unexpected detail in Robert Bresson’s 1966 masterpiece, Au hasard Balthazar.
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Quote of the day. Mikio Naruse...or David Fincher?
Daniel Kasman“The pace of their rush toward destruction never lets up, pile upon pile of medium shots, thousands of fast cuts…”
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Image of the day. Orson Welles in "The Adventures of Tintin"
Daniel KasmanA joshing jab at the great auteur in the English adaptation of Red Rackham’s Treasure.