The Complete "Vertigo Variations"
Daniel KasmanOne of 2011’s best films: a feature length, hugely ambitious video essay on the mysteries of Alfred Hitchcock’s Vertigo.
One of 2011’s best films: a feature length, hugely ambitious video essay on the mysteries of Alfred Hitchcock’s Vertigo.
Gary Cooper and Helen Hayes embrace in one of the great romanticist Frank Borzage’s masterpieces, A Farewell to Arms (1932).
Outrage is a minimal but forceful answer, full of precision and self-critique, to fans who want more yakuza from Takeshi Kitano.
Bertrand Bonello’s turn of the century brothel film leaves behind something mysterious, lingering, like some left hanging in a vacated room.
Lessons on how to be the man. (Not shown prerequisites: directing Air Mail, They Were Expendable, How the West Was Won.)
David Cronenberg’s film tackles Jung, Freud and psychosexual frontiers with a supreme, stately restraint.
A scene of erotic reverie in Frank Borzage’s Doctors’ Wives featuring a young, gorgeous Joan Bennett.
A photograph by Yul Brynner of the legendary director on the set of The Ten Commandments.
Two thrillers by François Truffaut and Wim Wenders surprisingly share the exact same cinephilic object.
The delirious, tragic romance of woman’s anxiety is at the center of the new Lars von Trier.
Werner Herzog turns to a small town in Texas and a death penalty case to find alien expressions of violence and grief.
Found on my cine-hard drive, notes for an review of Tony Scott’s great 2010 thriller, Unstoppable.