Ecstatic Nostalgia: New Theater Work by Tsai Ming-liang
Andrew ChanTsai offers both an intensified take on his brand of voyeurism and a sweet valentine to his cast of regulars.
Tsai offers both an intensified take on his brand of voyeurism and a sweet valentine to his cast of regulars.
In a city often derided as art-phobic and money-obsessed, the Hong Kong International Film Festival provides an annual opportunity for local audiences to contextualize their own regional cinema alongside
Above: Robin Weng's Fujian Blue. There are a few reasons to justify Richard Brody’s claim that Chinese filmmaking was “the crucial story in cinema of the past decade.” The astonishing output from