Cannes 2013. A Pinoy Ballad: Anthony Chen's "Ilo Ilo"
Marie-Pierre DuhamelAnthony Chen’s first feature is a heartfelt, lived-through vision of the 1997 Asian crisis in Singapore.
Anthony Chen’s first feature is a heartfelt, lived-through vision of the 1997 Asian crisis in Singapore.
Adam Cook & Daniel Kasman discuss Johnnie To’s madcap new film, a crime-comedy-romance that (joyously) doesn’t know when to quit.
Rithy Panh’s autobiographical/historical recount stages memories and history under the Khmer Rouge in Cambodia with clay figurines.
The filmmaker talks about one of the highlights of the Festival de Cannes, Stranger by the Lake in Un Certain Regard.
Satyajit Ray’s pure cinema, the Coen Bros. half-hearted Llewyn Davis, and van Warmerdam’s oddball Borgman.
Decisively on the “fun” side of To’s films, a wild blending of thriller, comedy, burlesque and fantasy starring Andy Lau and Sammy Cheng.
Short takes on two major titles in Competitions, an Indian genre film in Directors’ Fortnight, and Alejandro Jodorowsky’s return to cinema.
The chauffeur-passenger story of the poor and the rich is given an extra dimension this debut: the border between Shenzen and Hong Kong.
Jia layers fiction, documentation, cultural history & cinema history into a fluid and elegant series of four geography-spanning moral tales.
Alain Guiraudie’s Stranger by the Lake creates a compelling drama through an ingenious use of space and growing tension.
A self described homage to King Hu and Chang Cheh reveals itself to be strongly rooted in the consistency and strength of Jia’s film world.
As the 2013 Cannes Film Festival gets underway: a poster round-up of the films in competition.