Some Violence Is Required: A Conversation With Pedro Costa
David JenkinsThe Portuguese maestro talks digital, film and DCP, early influences and teachers, David Fincher and filmmaking now.
The Portuguese maestro talks digital, film and DCP, early influences and teachers, David Fincher and filmmaking now.
Cristian Mungiu’s film is a gorgeously austere and often exhilarating in its its slow-burning atmosphere of dread and sorrow.
A terrific 1946 French affiche for a 1936 California Highway Patrol stunt-fest.
Joan Crawford fights to get her man amid a sleek and glossy art deco world concocted by Cedric Gibbons at MGM, in Our Dancing Daughters.
A new column dedicated to short-form criticism. Each week, three writers offer capsules which engage with a classic or contemporary film.
This translation of a 1929 piece on Langdon is an exhilarating exercise in a deliriously subjective, free-form style of poetic film writing.
A contemporary-styled Polish disassemblage for Lester’s swashbuckling romp and an interview with its designer.
Two silent classic adaptations benefitting from the spectacular designs of Natacha Rambova: Camille and Salome.
Jean Cocteau has a secret weapon: Jean Marais’ eyes.
David O. Russell flirts with absurdism, flinging characters into a chaotic universe before using Hollywood convention to reel them back in.
A look at posters in which actors are absent and the title treatment is king.
The love of a woman brings out the face of a clown.