Chris Marker, Bill Gunn, ND/NF, More
David HudsonMax Goldberg in the San Francisco Bay Guardian: "Looking at a map of Paris, the city's rings resemble those of the giant Sequoia cross-section in Vertigo (1958), the one Kim Novak points to saying
Max Goldberg in the San Francisco Bay Guardian: "Looking at a map of Paris, the city's rings resemble those of the giant Sequoia cross-section in Vertigo (1958), the one Kim Novak points to saying
Hikaru Hayashi’s score and ambient sounds from Masumura’s masterpiece.
"For a small group of diligent cinephiles, Criterion's Letters From Fontainhas: Three Films by Pedro Costa is one of the most anticipated DVD releases of the year, or the last several," writes Sam
In addition to its brilliant edition of Sous le soleil de Satan, March also sees Eureka!/MOC relelasing Pialat's À nos amours, which is perhaps his best-known film internationally. The painful and painstaking
Splendid title, Sous le soleil de Satan...that is, "under the sun of Satan," or, more colloquially, "under Satan's sun." A pretty plain statement, not unlike Satan Is Real, the unequivocating title of
"Anchored by a revelatory performance by Alba Gaia Bellugi, The Evening Dress is a keen portrayal of a girl caught uncomfortably in that nervous, confusing, seemingly perilous crawlspace between
Takashi Miike's body of work encompasses the most diverse approaches to filmmaking of any director alive today, from direct-to-video police dramas to avant-garde art movies. On top of this, Miike seems
"Ben Wheatley's Down Terrace follows up a strong first half with a rather less productive second act," writes Andrew Schenker in Slant. "Charting two weeks in the lives of a father-and-son gangster
Our first moga is Ryuko Umezono in Mikio Naruse's Three Sisters with Maiden Hearts (1935), with cinematography by Hiroshi Suzuki. (Brief background on modern girls.)
Along with second screenings of a handful of its offerings, New Directors / New Films introduces four more titles this weekend: Radu Jude's The Happiest Girl in the World, Dima El-Horr's Every Day is
But first, New York's Film Forum is marking the 20th anniversary of Abbas Kiarostami's Close-Up with a one-week run for a new 35mm print. Nicolas Rapold, L Magazine: "The story is fraud that taps
But The Original's Still The Greatest: I'm not gonna tell any tales out of school, but I doubt that either A.O. Scott or Michael Phillips will balk if I say I have every confidence that they weren't