The Forgotten: Tarr Nation
David CairnsDoes the world need another version of “The Postman Always Rings Twice”? Béla Tarr thinks so.
Does the world need another version of “The Postman Always Rings Twice”? Béla Tarr thinks so.
Roundup of the New York Asian Film Festival, the new issue of Film Quarterly, and more.
Happy 70th to "The Voice," a legendary stage presence in Germany best known to international audiences as Cassiel in Wings of Desire and Kapitänleutnant Philipp Thomsen in Das Boot. Tributes in
The Jerzy Skolimowski retrospective currently touring the United States is re-introducing American audiences to one of the most free-spirited directors the movies have ever produced. His first features
Updated through 6/30. "No, I don't think Bay can direct actors," concedes Bilge Ebiri in an entry he posted yesterday entitled "In Defense of Michael Bay (Sort Of)." What's more, "No, I don't think
The composer best known for his work with Alfred Hitchcock would have been 100 today. Jim Fusilli in the Wall Street Journal: "Bernard Herrmann may be best known for his memorable contributions to classic
"It's easy to enjoy Raffaello Matarazzo's melodramas for the campy excess of their acting and story lines," blogs Dave Kehr, "but it's more productive to take them seriously, I think — to see how
"Elaine Stewart, 81, an actress who appeared in a string of films in the 1950s and after taking a break to start a family appeared on the 1970s TV game shows Gambit and High Rollers, died Monday," reports
Senses of Cinema editor Rolando Caputo introduces the new issue: "For some time now, Senses has wanted to publish an English language translation of Jean-Baptiste Thoret's seminal article, 'The Seventies
In contemporary cinema many camera pans look like postcards, but ones without the simplicity or light-hearted use of clichés of the past. (No European ever hated an American film for those old
WATCH SCENES FROM THE SUBURBS FOR FREE. 2 DAYS ONLY. Arcade Fire released their Grammy and Brit award-winning album The Suburbs last August, and now, nearly a year later, the Deluxe
"So much critical ink has been shed over Last Year at Marienbad that one might wonder if the flood of commentary, once receded, would take the film along with it," writes Mark Polizzotti in an essay