Cineaste. Fall 2011
David HudsonAn overview of the new issue of Cineaste, with an emphasis on the book reviews.
An overview of the new issue of Cineaste, with an emphasis on the book reviews.
Clooney’s fourth feature as a director serves just fine as a festival opener but otherwise breaks no new ground.
An essay on and analysis of Titicut Follies, the debut feature of Frederick Wiseman. The first in a series by Craig Keller on all-Wiseman.
The new mini-feature will be a once-a-day update on just the essentials.
Critics generally agree that, despite a round of strong performances, The Debt isn’t all it could have been.
Films by Fassbinder and Eisenstein are also out this week on DVD and Blu-ray.
Head of the Italian Cinematheque Enrico Magrelli talks about his must-see retrospective program at the Venice, “Orizzonti 1961-1978”.
Profiles of Ken Loach in the run-up to a retrospective in London emphasize his directorial style.
The first ever Notebook Soundtrack Mix! HYPER SLEEP includes work that reflects jazz, classical, experimental and pop influences.
As Gainsbourg: A Heroic Life opens at New York’s Film Forum, Cinefamily screens Gainsbourg and His Girls in Los Angeles.
Johnnie To and Wai Ka-fai’s Don’t Go Breaking My Heart is a romantic comedy obsessed with doubling and decision-making.
Ruiz’s mystery masterpiece, “a sublime and intricate exposition on the reflexivity between art and life,” is (for now) watchable online.