AFI FEST 2011. Spielberg + Jackson's "Tintin"
David HudsonChecking in on how audiences (and critics) are taking to Tintin midway between its European premiere and Stateside opening.
Checking in on how audiences (and critics) are taking to Tintin midway between its European premiere and Stateside opening.
“Haywire is, like The Informant!, a movie shaped by the rhythms and rules of 70s and 60s entertainment.”
This year’s edition features the premieres of Eastwood’s J. Edgar and Soderbergh’s Haywire.
Also: Acid Westerns, Friedkin interviews Lang, Woody Allen goes long and more.
Before launching into another roundup on Michelangelo Frammartino's Le Quattro Volte (previously: last year's Cannes and New York festivals), let's make note of a few newsier items, starting with yesterday
"In his introduction to The Fighter, Mark Wahlberg mentioned no less than four times how hard he worked to get the film made, even telling the audience that he'd mow lawns and shovel shit for two
As James Rocchi notes in his overview of this year's AFI Fest for MSN Movies, the directors of both the opening and closing night films are graduates of the American Film Institute. Edward Zwick's
Above: Philippe Grandrieux’s divisive A Lake, playing at this year's AFI Fest. What do you call a film festival that has shrunken by nearly a third of its former size, hired a veteran film critic as