Cannes 2012. Days 8-9, Essential Reads
Adam CookLéos Carax’s long-awaited return to Cannes is a loud one, and Carlos Reygadas’ Post Tenabras Lux sounds like a divisive highlight.
Abbas Kiarostami
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Cannes 2012. Abbas Kiarostami's "Like Someone in Love"
Daniel KasmanAbbas Kiarostami shoots a movie in Japan and the result is the strangest, most mysterious film playing in Cannes.
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Cannes 2012. Days 6-7, Essential Reads
Adam CookKiarostami, Hong Sang-soo, Resnais: some of the biggest names of the festival unveil their latest works
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Movie Poster of the Week: The Posters of the 2012 Cannes Competition
Adrian CurryOn the opening day of the 2012 Cannes Film Festival: a poster round-up of the films in competition.
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Daily Viewing. Teaser for Kiarostami's "Like Someone in Love"
David HudsonA first look at Kiarostami’s first film set in Japan.
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Daily Briefing. N1FR #2, Scorsese's List and More
David HudsonAlso: Adam Curtis on Dead of Night, life, the universe and everything. And more.
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Daily Briefing. Most Anticipated Films of 2012
David HudsonAlso: Universal @ 100. James Toback’s “totally unusual, inventive” movie and more.
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Daily Briefing. Manohla Dargis on the Avant-Garde in LA
David HudsonAlso: Bill Simmons on Eddie Murphy and an overview of several projects in the works.
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Daily Briefing. Kiarostami, Polanski, StoryWorlds
David HudsonAlso: Michael Lewis will adapt Liar’s Poker himself. Steven J Ross on J Hoberman’s Army of Phantoms.
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Remembering Bill Hunter, Donald Krim, Bruce Ricker
David HudsonUpdated through 5/23. "Bill Hunter, the archetypal working class Australian of a multitude of movies including the quirky trio Muriel's Wedding, The Adventures of Priscilla, Queen of the Desert and
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"Jane Eyre," "3 Backyards," "Black Death," More
David Hudson"The most famous line in Charlotte Brontë's Jane Eyre is 'Reader, I married him,'" Jessica Winter reminds us in Slate, where Dana Stevens reviews the latest adaptation. "Depending on the reader
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Love Streams: Abbas Kiarostami’s "Certified Copy"
Michael SicinskiThe secret of success is sincerity. Once you can fake that you’ve got it made. —Jean Giraudoux 1. It is profoundly difficult to articulate the precise manner in which Abbas Kiarostami and his two lead
