Cannes 2012. Days 8-9, Essential Reads
Adam CookLéos Carax’s long-awaited return to Cannes is a loud one, and Carlos Reygadas’ Post Tenabras Lux sounds like a divisive highlight.
Léos Carax’s long-awaited return to Cannes is a loud one, and Carlos Reygadas’ Post Tenabras Lux sounds like a divisive highlight.
Alain Resnais returns to the play between theater, cinema and life in his new film.
Kiarostami, Hong Sang-soo, Resnais: some of the biggest names of the festival unveil their latest works
On the opening day of the 2012 Cannes Film Festival: a poster round-up of the films in competition.
A report from the retrospective on the Oberhausen Manifesto’s 50th anniversary, at the International Short Film Festival Oberhausen.
A stunning poster for a forgotten film sends us down various rabbit-holes of trivia leading to some of the biggest names in cinema.
Featuring an interview with Ai Weiwei and more. Also: The Gold Rush and Last Year at Marienbad in New York.
The renowned critic, novelist and screenwriter worked with Ruiz and Bertolucci.
Also: Lubitsch, Hitchcock, Lumet, Wes Anderson and James Bridges on DVD.
Another generous post from Letters to Jane gives us Godard and Delahaye’s lengthy interview with Bresson.
"So much critical ink has been shed over Last Year at Marienbad that one might wonder if the flood of commentary, once receded, would take the film along with it," writes Mark Polizzotti in an essay
A year or so ago, while writing about the brilliant poster for Alain Resnais’s most recent film, Wild Grass, I was a little disparaging of other recent Resnais posters with their wacky ensemble montages