Luc Moullet in Toujours moins (France), a short film suspiciously formed of footage of automated terminals (ATMs, ticket dispensers, turnstiles, etc.) over three decades (perhaps culled from the director
Just as All Saints Day follows Halloween, so, too, does Claude Chabrol's quiet and gentle final film follow a raucous batch of scary stuff; then, the documentaries and a couple of highlights from the
From Martin Arnold's Jeanne (2002), currently being projected at the Bell Lightbox.
"Delirious, deranged, gonzo or just gone, baby, gone - no single adjective or even a pileup does justice to House, a 1977 Japanese haunted-house freakout," writes Manohla Dargis in the New York Times
This week's New York Times Magazine is a special issue devoted to an argument: "Women's Rights are the Cause of Our Time." On Tuesday, Criterionreleases Chantal Akerman's Jeanne Dielman, 23
Andrea Arnold's follow-up to her acclaimed Red Road (2006), follows also in the footsteps of Alan Clarke, director of films and BBC plays, whose influence has spread out in strange ways since his untimely