NYFF 2011. The Shawl from Bela Tarr's "The Turin Horse"
Daniel KasmanA telling, accidental detail changes the feel of one of the Hungarian master’s virtuoso camera moves in his newest film.
A telling, accidental detail changes the feel of one of the Hungarian master’s virtuoso camera moves in his newest film.
The crows knew it from Day One: Berlin 2011 would be a—slightly—happier experience. Normally, when night began to fall, the crows descended upon the frost-bleak trees around Potsdamer Platz
"Apples and oranges" was my off-the-cuff reply to a critic I admire as we rose from our seats following a screening of Werner Herzog's Cave of Forgotten Dreams. He'd just muttered something to the effect
James Benning’s new film on cigarette smoking.
Finding work at the Berlin Film Festival
Honor is everything in the Iran of Asghar Farhadi's Nader and Simon, a Separation and the Albania of Joshua Marston's The Forgiveness of Blood. Each character defends his or her allotment, determined
What a night for Asghar Farhadi's Nader and Simin, a Separation. Not only has the International Jury of this year's Berlinale, presided over by Isabella Rossellini, awarded the film the Golden Bear
As with the first quick roundup, the idea here is to point to critical takes on films that I've not caught at the Berlinale but which I'm interested in hearing about (again, for whatever reason
Notes will follow, but first, an introduction: "Among cinephiles the most anticipated competition entry by far was The Turin Horse, the latest — or, as he has claimed, the last — movie by the Hungarian
Trailer for Béla Tarr’s “The Turin Horse”
I'm hoping that I'll soon be able to post thoughts on Ulrich Köhler's Sleeping Sickness, Wim Wenders's Pina (I'll be arguing the case for the defense), Ralph Fiennes's Coriolanus and, from programs
The annual state-of-the-Berlinale assessments usually appear after the Bears have been awarded, but this year the lineup has looked so anemic that a handful of pieces asking, to borrow a title from