The Noteworthy: Bertolucci Heads Venice, Serge Daney Explores Mannerism, Miyazaki Interviews Kurosawa
NotebookLocarno awards Herzog, 2001 is explained by a menu, two amazing trailers drop, and more…
Bernardo Bertolucci
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The Noteworthy: Cannes Shorts, Bieber as Auteur, Snowpiercers
Adam CookThis week: a new edition of Interiors, Adrian Martin on Justin Bieber, Kurosawa meets Herzog, Godard & Milius, Brody on Malick and more.
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Movie Poster of the Week: “20,000 Years in Sing Sing” and Title-Centric Posters through the Ages
Adrian CurryA look at posters in which actors are absent and the title treatment is king.
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TIFF 2012. Correspondences #3
Fernando F. CroceThe third entry of our two-critic TIFF correspondence highlights films by Reygadas, Assayas, Bertolucci and Baumbach.
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Cannes 2012. Days 6-7, Essential Reads
Adam CookKiarostami, Hong Sang-soo, Resnais: some of the biggest names of the festival unveil their latest works
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Gilbert Adair, 1944 - 2011
David HudsonThe renowned critic, novelist and screenwriter worked with Ruiz and Bertolucci.
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Daily Briefing. "Blue Velvet" @ 25
David HudsonAlso: Syrian filmmaker Nidal Hassan arrested. The death and afterlife of film. Bertolucci’s Last Emperor in 3D.
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Daily Briefing. Trailer for Wakamatsu's "Mishima"
David HudsonAlso: Saul Bass’s sole directorial effort. Bertolucci in Melbourne. Berlinale 2012 retrospective. Elvis and Nixon and more.
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Bertolucci in London
David HudsonBFI Southbank's Bernardo Bertolucci season opens this evening with Before the Revolution (1964), features an onstage conversation with the director on Saturday night — perhaps he'll say a few
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Maria Schneider, 1952 - 2011
David HudsonReuters breaks the shocking news: "French actress Maria Schneider, most famous for her role as Marlon Brando's lover in Last Tango in Paris, has died aged 58, French media reported on Thursday."Back
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Bertolucci, Lou Ye, Lists and Remembrances
David HudsonIt's a big day for lists, actually, but let's begin with MoMA's Bernardo Bertolucci retrospective, opening today and running through January 12. In the New York Times, Manohla Dargis reminds us that